Autographed Books by: Allen and Pat Ahearn
Author's autographs in a book may be considered in various categories, including signed limited editions, signed trade editions, and association copies. We've discussed limited editions elsewhere on the site.
Signed trade editions are copies of the regular trade first edition signed by the author, with or without an inscription. These signed books will usually sell for at least twice as much as an unsigned copy, but the real determinant of price will be the value of the author's signature. Some authors are very generous in signing their books; as a result, their signatures may be worth only $10 or $15, representing the price difference between a signed and an unsigned copy of a first edition, or the price of a signed later printing. On the other hand, some authors very rarely sign a book and their signatures alone may be worth $50 or more; again, this would establish a price. Further, some authors are very free with their signatures but very rarely inscribe copies of their books, and therefore inscribed copies, even if the recipient is unknown, will command a premium.
Value of Signed vs. Inscribed Books
We are often asked about the value of a first edition that is inscribed by the author to another person versus the value of the same book just signed by the author. We understand that if the original recipient of the book is not well known, or of general interest, some collectors prefer the author's signature without the inscription. From our point of view we would always prefer an inscribed copy and think it is worth more than a copy that is just signed by the author. However, we understand that if the author is young and the collector hopes one day to meet the author at a signing, or perhaps send some of his books to get the author to sign, the collector will not want to buy a copy of the book inscribed to some unknown person. From our point of view, we know that after the death of an author, inscribed copies are always worth more than copies that are just signed, Also, from our point of view, the inscription allows us to have more of the author's handwriting to examine to assure ourselves and our customers that it is a genuine author's autograph.
Association copies are books that include a signed inscription from the author to another famous personality or someone important within the framework of the particular author's life and work. These will be valued more highly than the normal signed first edition, depending on the importance of the recipient involved.
By: Allen and Pat Ahearn, the authors of Collected Books: The Guide to Values (Putnam: 2002), Book Collecting 2000 (Putnam: 2000) and 174 individual Author Price Guides, all of which require they keep current on the market prices for collectible books and make them uniquely qualified to offer professional appraisal services and to establish fair prices when purchasing books or libraries. We appreciate the articles from the Ahearns.
http://www.qbbooks.com
A Guide to First Edition Books
What is a first edition? Well, it depends on who you ask. If you ask a bibliographer, a first edition is every copy of a book that is printed without significant changes to the copy, regardless of when they were printed. That is not the definition that book collectors use, however. When a collector refers to a first edition, he is talking about the first print run of the first edition.
First edition books, by the collector’s definition, may or may not be valuable. The value of a book depends on a lot of variables. The number of copies of the book that were printed, the popularity of the book, the condition of the copy in question and many other factors contribute to the pricing of collectible books. The must important of which, of course, is whether there is a demand for it. If no one wants the book, it is worthless.
How do you even know if a book is a first edition? It is often necessary to research the publication history of the book, because the information printed on the copyright page by the publisher can be confusing or even misleading. Some books say that they are first editions when they are not really a true first but merely the first edition published in that format or by that publisher. Other books may not say anything about being a first edition even though they are.
A publisher may leave the words “first edition” in place for subsequent printings if the content of the book has not changed, rather than considering the second printing a second edition. Sometimes the copyright page will contain clues that the book is not a true first edition. For example, if the words ‘second printing’ appear, you know that it is definitely not a true first. Also, if there are mentions of previous publications by another publisher or in another format, then the book is not a true first.
Another way to recognize subsequent print runs is to look at the sequence of numbers included on the copyright page. Usually, the numbers start from 10 and go down to 1, like this: 10 9 8 7 6 5 4 3 2 1. At least, that is how they appear on the first print run. The publisher usually covers up the 1 for the second print run so that 2 is the last number showing. With each subsequent print run, another number is removed from the countdown.
If a book is collectible, a true first edition is usually more valuable than other editions in the same condition. As you can see from this article, determining whether a book is a first edition or not can be tricky. If you are planning on buying or selling collectible books, you will need to be able to accurately identify true first edition books.
[Top]Book Collecting from Wikipedia - Interesting
Book collecting is the collecting of books, including seeking, locating, acquiring, organizing, cataloging, displaying, storing, and maintaining whatever books are of interest to a given individual collector. The love of books is bibliophilia, and someone who loves to read, admire, and collect books is a bibliophile. Bibliophilia is sometimes called bibliomania but should not be confused with the obsessive-compulsive disorder by that name, which involves the excessive accumulation and hoarding of books. The term bookman, which once meant a studious or scholarly man, now means one who writes, edits, publishes, or sells books. A book dealer is one whose profession is the buying and reselling of rare or used books.
True book collecting is distinct from casual book ownership and the accumulation of books for reading. It can probably be said to have begun with the collections of illuminated manuscripts, both commissioned and second-hand, by the elites of Burgundy and France in particular, which became common in the 15th century. Duke Philip the Good of Burgundy appears to have had the largest private collection of his day, with about six hundred volumes. With the advent of printing with movable type books became considerably cheaper, and book collecting received a particular impetus in England and elsewhere during the Reformation when many monastic libraries were broken up, and their contents often destroyed. There was an English antiquarian reaction to Henry VIII's dissolution of the Monasteries. The commissioners of Edward VI plundered and stripped university, college, and monastic libraries, so to save books from being destroyed, those who could began to collect them.
Book collecting can be easy and inexpensive: there are millions of new and used books, and thousands of bookstores, including online booksellers like Abebooks, Alibris, and Amazon. Only the wealthiest book collectors pursue the great rarities: the Gutenberg Bible, and Shakespeare's First Folio, for example, are both famous and extremely valuable. Collectors of average means may collect works by a favorite author, first editions of modern authors, or books on a given subject. Book prices generally depend on the demand for a given book, the number of copies available, and their condition.
Genres, themes, and interests
There are millions of books, so collectors necessarily specialize in one or more genres or sub-genres of literature. A reader of fiction, who enjoys Westerns, might decide to collect first editions of Zane Grey's novels. A lover of modern English poetry might collect the works of Dylan Thomas. A Californian who prefers non-fiction might look for books about the history of the San Francisco Bay Area.
Individual interests may include:
A particular author
A particular genre or field (science, medicine, history, etc)
A particular illustrator
Award winning books
Books as Art
Bindings and/or Book design
Comic books and Graphic novels
Cover or dust jacket art
First editions
Fore-edge paintings
Illustrated books
Incunabula: books printed before 1501
Local/Regional interests
Marginalia
Miniature books
The publisher and/or printer
Fine press books
Private press books
Small presses
Paper, parchment, or vellum
Series
Photoplay editions
Signed books: inscribed/signed by an author or illustrator
Stages of publication: advance review copies, galley proofs
Related collecting interests include collecting autographs, and ephemera.
Virtual Book Collecting
Virtual book collecting can be described as collecting books in a digital format (virtually) on a computer or other electronic device. A bibliophile may acquire ebooks by downloading them, or copying from borrowed media (CDs and DVDs, for example). However, this may violate copyright law, depending on the license which the ebook is released under. Ebooks acquired from Project Gutenberg and many similar free collections are legal as they post books which have either outrun their copyright, are released under the appropriate Creative Commons license, or are in some other form public domain.
Prices
Book prices generally depend on the demand for a given book, the number of copies available for purchase, and the condition of a given copy. As with other collectibles, prices rise and fall with the popularity of a given author, title, or subject.
Because of the huge number of books for sale, there is no single comprehensive price guide for collectible books. The prices of the copies listed for sale at the online bookseller sites provide some indication of their current market values.
Condition
As with other collectibles, the value of a book ultimately depends on its physical condition. Years of handling, moving, and storage take their toll on the dust jacket, cover, pages, and binding. Books are subject to damage from sunlight, moisture, and insects. Acid from the papermaking process can cause the pages to develop brown spots, called foxing; gradually turn brown, called tanning; and ultimately crumble.
Common defects include general wear; jacket/cover edge wear, scratches, and tears; the previous owner's written name, bookplate, or label; soil and stains; dogeared pages; underlining, highlighting, and marginalia; water damage; torn hinges, endpapers and pages; and pages, illustrations, or whole signatures free of the binding, or missing entirely.
A book in good condition should be a rectangular solid when at rest, whether upright or on its back, with the covers at right angles to the spine. If a book is out of square, usually from resting crooked on a shelf, or leans to the right or left when on its back, it is cocked, or shelf-cocked. If the covers bend in or flare out, usually from rapid humidity changes, a book is bowed (bent like a drawn bow). Thick hardbound books also tend to have their pages sag downward in the middle even if they are sitting level on a shelf.
Sources
New books are readily available from bookstores and online. Many bookstores specialize in out-of-print, used, antiquarian, rare and collectible books. Online booksellers, including Abebooks, Alibris, and Amazon, encourage other stores and individuals to sell books through their websites, and charge a commission.
Antique and collectible stores may have a few books for sale. Major auction houses sell quality collectible books, and local auction houses may sell books by the carton. Thrift shops and second-hand stores commonly have book sections. Other sources include estate, yard, garage, or rummage sales; and charity fund-raisers.
Antiquarian Book Collecting
Antiquarian book collecting may be roughly defined as an interest in books printed prior to 1900 and can encompass interest in 19th, 18th, 17th, 16th, and 15th-century books. Antiquarian book collectors are not exclusively interested in first editions and first printings, although they can be. European books created before 1455 are all hand-written and are therefore one-of-a-kind historical artifacts in which the idea of "edition" and "printing" is irrelevant. There is also an interest among antiquarians for books beautifully made with fine bindings and high quality paper. For many books printed before about 1770, the first edition is not always obtainable, either because of price and/or availability. Later editions/printings from an era of interest are still often desirable to the antiquarian collector as they are also artifacts.
The beginning of Paradise Lost from a 1720 illustrated edition. Not a first edition but desirable among antiquarians.For example, a first edition of Paradise Lost (1667) by John Milton can fetch equivalent to a down payment on a house. However, the first illustrated folio edition of 1688, technically a later edition, is worth a fraction of the first edition, but still fetches in the thousands of dollars as an illustrated book from the era in which Milton lived.
There were many editions of Alexander Pope's translation of The Iliad and The Odyssey. The first edition of 1715-1720 is worth a small fortune whereas slightly later 18th-century editions are a lot less expensive but still garner premium prices. The John Ogilby 17th-century translations of Homer's The Iliad and The Odyssey garner hefty prices, but not as much as the first edition of the Pope translation. This may be in part due to a significant number of copies of Ogilby's first edition probably perished in the Great Fire of London of 1666. The first English movable-type printer was Caxton in the late 15th century. Editions of his books from the 1400s are virtually unobtainable. Occasionally, 16th-century editions similar to Caxton's books appear among antiquarian book dealers and auctions, often fetching very high prices. The last Shakespeare First Folio of 1623 (first edition of the collected works of William Shakespeare) garnered a record-breaking 5.5 million in 2006. Later 17th-century folios of William Shakespeare's works can still fetch about the price of a small house but are more readily available and relatively obtainable, whereas almost all extant copies of the First Folio are owned by libraries, museums or universities and thus are unlikely to appear on the market. For the antiquarian collector, how a particular book's production fits into a larger historical context can be as important as the edition, even if it may not be a first edition.
Also of interest are books previously owned by famous persons, or personages of high stature, such as someone from royalty or the nobility. Tracing the history of an antiquarian book's possession history, referred to as "provenance", can markedly affect the value of a book, even if it is not a first edition per se. For example, a copy of a less-important 18th-century book known to have been owned by Voltaire would achieve a value many times its stand-alone market value, simply because it was once in Voltaire's possession. Previous owners of books often signed their copies, and it is often not difficult to identify a prominent previous owner if the provenance is well documented. Provenance is the same term used for the possession history of other kinds of older collectible items, such as paintings and furniture.
Prominent book collectors
John Roland Abbey
Clifton Waller Barrett
Chester Beatty
William Beckford
Martin Bodmer
Anthony Collins
Robert Bruce Cotton
John Evelyn
Henry Clay Folger
George III
Robert Harley, Earl of Oxford
Rush Hawkins
Richard Heber
Henry II of France
Harrison D. Horblit
Arthur A. Houghton
Henry E. Huntington
Thomas Jefferson
Jerome Kern
Geoffrey Keynes
John Maynard Keynes
Aleksey Khludov
Josiah K. Lilly, Jr.
Antonio Magliabechi
H. Bradley Martin
Wolfgang Menzel
Dewitt Miller
J. Pierpont Morgan
A. Edward Newton
Samuel Pepys
Charles Dyson Perrins
Sir Thomas Phillipps
Abraham Rosenbach
Lessing J. Rosenwald
Adam Smith
Thomas W. Streeter
Andrew Dickson White
Book collecting in China
The history of book collecting in China dates back over two millennia. An important effort to collect books in China was made during the early Han Dynasty by the government, as many important books were burned during the Qin Dynasty. From then on, book collecting began to flourish in China, particularly after the invention of block printing during the early Tang Dynasty, with both imperial and private collections blooming throughout the country. However, the systematic study of book collecting began only during the Qing Dynasty.
Terminology
Cangshulou (Chinese: 藏書樓 "book collecting tower"): library, such as the private Tianyige (天一閣) in Ningbo, the earliest surviving library in China, or the imperial Wenyuange (文淵閣), where the works collected in Siku Quanshu were reposited
Jinxiangben (巾箱本 "headscarf box edition"): ancient pocket edition
Jiupingzhuang (舊平裝 "old paperback") or Jiushu (舊書 "old books"): old books published after 1911, when the Qing Dynasty was overthrown
Maobianben (毛邊本 "hairy-side edition"): uncut editions
Songben (宋本 "Song edition") or Songban (宋版 "Song edition"): block printed books published during the Song Dynasty, highly valued by collectors
Xianzhuangshu (線裝書 "thread-bound book"): thread-bound books, usually referred to those published before 1911
See also
Antiquarian book trade in the United States
Book
Bookbinding
Book design
Edition
Imprint
Manuscript
Text
References
This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations where appropriate. (February 2008)
Ahearn, Allen and Patricia. Book Collecting: A Comprehensive Guide. New York: Putnam, 1995 ISBN 0-399-14049-2
Ahearn, Allen and Patricia. Collected Books : The Guide to Values. New York: Putnam, 2001 ISBN 0-399-14781-0
American Book Prices Current (Annual, 1894/1895 onwards)
Carter, John.
ABC for Book Collectors. 8th ed. edited by Nicolas Barker. New Castle, DE: Oak Knoll; London: British Library, 2004 ISBN 0-7123-4822-0 (British Library)
ISBN 1-58456-112-2 (Oak Knoll) - a classic, first published in 1952.
Carter, John. Taste and Technique in Book-collecting, with an Epilogue. Pinner, Middlesex: Private Libraries Association, 1970 (The Sandars Lectures in Bibliography, 1947) ISBN 0-900002-30-1
Greenfield, Jane. The Care of Fine Books. New York: Lyons & Burford, 1988. ISBN 1-55821-003-2
McBride, Bill. Book Collecting for Fun and Profit. Hartford, CT: McBride/Publisher, 1997. ISBN 0-930313-05-4
McBride, Bill. A Pocket Guide to the Identification of First Editions. Sixth ed. Hartford, CT: McBride/Publisher, 2000. ISBN 0-930313-06-2
McBride, Bill. Points of Issue. Third ed. [Hartford, CT]: McBride/Publisher, 1996. ISBN 0-930313-04-6
Peters, Jean (Editor). Book Collecting: A Modern Guide. New York and London: R.R. Bowker and Company, 1977. ISBN 0-8352-0985-7
Rees-Mogg, William . How to Buy Rare Books: A Practical Guide to the Antiquarian Book Market. Oxford: Phaidon, 1985 (Christie's collectors guides) ISBN 0-7148-8019-1
Wilson, Robert A. Modern Book Collecting. New York: Lyons & Burford, 1992 ISBN 1-55821-179-9
Zempel, Edward N. and Verkler, Linda (Editors). First Editions: A Guide to Identification. Fourth ed. Peoria, IL: The Spoon River Press, 2001. ISBN 0-930358-18-X
Further reading
Forbes article on book collecting by Finn-Olaf Jones, December 12, 2005
W. C. Hazlitt: The Book Collector: A general survey of the pursuit and of those who have engaged in it at home and abroad from the earliest period to the present ... . London: J. Grant, 1904 - published over a century ago, but still worth dipping into.
Joseph Connolly: Collecting Modern First Editions (1977).
For more modern accounts, see the series of books on book-collectors, book-collecting and "bibliomania" by Nicholas A. Basbanes: A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books. New York: Holt, 1999 ISBN 0-8050-6176-2
Patience & Fortitude: A Roving Chronicle of Book People, Book Places, and Book Culture. New York: HarperCollins, 2001 ISBN 0-06-019695-5
Among the Gently Mad: Perspectives and Strategies for the Book Hunter in the 21st Century. New York: Holt, 2002 ISBN 0-8050-5159-7
A Splendor of Letters : The Permanence of Books in an Impermanent World. New York: HarperCollins, 2003 ISBN 0-06-008287-9
Every Book Its Reader : The Power of the Printed Word to Stir the World. New York: HarperCollins, 2005 ISBN 0-06-059323-7
Follow husband and wife team Lawrence & Nancy Goldstone as they search for rare and collectible volumes, and explore real mysteries in the rare-book world, in: Used And Rare: Travels In The Book World. New York: St. Martin's Press, 1997 ISBN 0-312-15682-0
Slightly Chipped: Footnotes in Booklore. New York: St. Martin's Press, 1999 ISBN 0-312-20587-2
Warmly Inscribed: The New England Forger and Other Book Tales. New York: St. Martin's Press, 2001 ISBN 0-312-26268-X
Out of the Flames: The Remarkable Story of a Fearless Scholar, a Fatal Heresy, and One of the Rarest Books in the World. New York: Broadway, 2002 ISBN 0-7679-0836-8
The Friar and the Cipher : Roger Bacon and the Unsolved Mystery of the Most Unusual Manuscript in the World. New York: Broadway, 2005 ISBN 0-7679-1473-2
For book collecting in China, see:
(Chinese) 傅璇琮、谢灼华主编，《中國藏書通史》，宁波：宁波出版社，2001
(Chinese) 焦树安，《中囯藏书史话》，北京：商务印书館，1997
(Chinese) 任繼愈主編，《中國藏書樓》，沈阳：辽宁人民出版社，2001
(Chinese) 黄燕生，《天祿琳琅：古代藏書和藏書樓 》，台北：萬卷樓圖書有限公司，2000
(Chinese) 徐凌志主编，《中国历代藏书史》，南昌：江西人民出版社，2004
External links
Alcuin Society A voluntary association of people who care about the past, present and future of fine books
Antiquarian Booksellers Association of America An association of rare book sellers in the United States
Collecting Books and Magazines: Authors and Artists Resource material for collectors of children's books and magazines
Collegiate Book Collecting Championship Annual collegiate book collecting contest, promoting book collecting to the next generation
Bookbinding and the Conservation of Books A Dictionary of Descriptive Terminology, by Matt T. Roberts and Don Etherington
Books and Book Collecting Information and resources for book collectors
The conservation of books and documents: ten frequently asked questions At the National Library of the Netherlands
Conservation OnLine: Resources for Conservation Professionals A project of the Preservation Department of Stanford University Libraries
Digital Librarian A librarian's choice of the best Web resources for book collectors
"Terms of the Trade" from the Antiquarian Booksellers Association
Useful Guides for Book Collectors from Vintage Paperbacks blog
Infography about Book Collecting A book collector's choice of the best books, articles, and online resources
Retrieved from "http://en.wikipedia.org/wiki/Book_collecting"Categories: Book collecting
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