New Book about Books and Book People - The Forger by Bradford Morrow.

The Forger, Author Bradford Morrow

Contemporary rare book dealers, antiquarian book fairs, forgers… this book satisfies your craving for an authentic, engaging biblio-mystery. I found myself unable to put it down until It was finished. This is an excellent story told by an excellent storyteller. Enjoy!!!

 New Book about Books and Book People   The Forger by Bradford Morrow. New Book about Books and Book People   The Forger by Bradford Morrow.

A rather lengthy quote from The Forger that sums up my thoughts on book collecting very well. I finished the book. It is well worth the read...

"Especially poignant to him was a book that looked just it did on publication day decades or centuries before. Looked just as it did when the author held it in his or her hands for the first time. To possess a pristine copy was to share the author's experience, to virtually exist in another era as a time traveler might, and to join in communion with all those owners down the years who had protected it against time's depravities. That to him was the virtue of condition. Nor did his love of signed or inscribed copies have much to do with ordinary fetishism or pure market investment value, although he was both a good investor and surely a fetishist of sorts. Again, it had to do with the proximity of the author. That the writer's flesh-and-blood hand had touched this title page or that piece of foolscap brought an immeasurable significance to the whole object. Made it distinctive and exceptional, yes, but, perhaps even more important, personal and even intimate. Authorial DNA, the inscribed phrases and tender inscriptions, lifted even the commonest works into a higher category of value, not just monetary but, if you will, spiritual."

Review
One of Amazon's Top 100 Books of the Year
A Publishers Weekly Best Book of the Year
An Indie Next Pick for November
A LibraryReads Selection for November
A Library Journal Editors' Pick for Fall

“From its provocative opening line . . . Bradford Morrow’s latest novel takes on a knowing, noirish tone, like a crime movie by the Coen brothers. . . . The pleasure of reading The Forgers comes not only from trying to figure out what happened to Diehl but also in deciding, chapter by chapter, how much trust to grant the narrator, who is our only source.”—Miami Herald

“The Forgers is quintessential Bradford Morrow. Brilliantly written as a suspense novel, lethally enthralling to read, and filled with arcane, fascinating information—in this case, the rarified world of high-level literary forgery.”—Joyce Carol Oates

“Bradford Morrow’s The Forgers is a bibliophile’s dream, an existential thriller set in the world of rare book collecting that is also a powerfully moving exposé of the forger's dangerous skill: what happens when you lie so well that you lose touch with what is real? In beautifully controlled prose, Morrow traces the shaky line between paranoia and gut-intuition, memory and self-delusive fiction, hollow and real love. It's perfect all-night flashlight reading—Bradford Morrow at his lyrical, surprising, suspenseful, genre-bending best.”—Karen Russell, author of Vampires in the Lemon Grove and Swamplandia!

“The Forgers is remarkable. Bradford Morrow is remarkable. The Real Thing, which is rare on this earthly plane.”—Michael Cunningham, author of The Hours and The Snow Queen

“Delightful to read.”—NPR.com

“Bradford Morrow illuminates the seamy side of the rare-book trade in The Forgers.”—Vanity Fair

“In The Forgers, Bradford Morrow hits the sweet spot at the juncture of genre crime fiction and the mainstream novel with an almost mystical perfection. Readers of either form will be gratified and impressed, and those who are readers of both will be thrilled. In its deep knowledge of books and those who trade in them, and in its thousand vivid, unexpected turns of phrase—its depth of both subject and language—The Forgers could have been written only by Morrow and at only the rare and striking level of mastery he has now achieved.”—Peter Straub, author of A Dark Matter and Ghost Story

“[A] consistently unnerving mystery. . . . The best moments in The Forgers come . . . from its intimate knowledge of books, details about signatures, ink, bindings, the slant of Arthur Conan Doyle’s handwriting . . . creating an ambience of old-fashioned gothic suspense that bibliophiles in particular will enjoy.”—USA Today

“With The Forgers, Bradford Morrow has masterfully combined an exquisitely thickening plot, an informed appreciation of the antiquarian book world, and a deep understanding of what makes the obsessive people who inhabit this quirky community do the sort of impassioned things they sometimes do, up to and including the commission of horrific crimes. Morrow has hit the ball out of the park—The Forgers is a grand slam, in the bottom of the ninth, to boot. This is a bibliomystery you will want to inhale in one sitting.”—Nicholas Basbanes, author of A Gentle Madness and On Paper

“The Forgers . . . stuns from its first line. . . . Morrow offers a suspenseful plot that coexists with gritty characters and ominous imagery.”—Fine Books Magazine

“[An] artfully limned suspense novel. . . . The insights Morrow offers into the lure of collecting, the rush of forgery as a potentially creative act, and underlying questions of authenticity render the whodunit one of the lesser mysteries of this sly puzzler.”—Publishers Weekly (starred review)

“The Forgers is a reader’s dream: intelligently written, with beautiful details paid to the use of inks and stationary, pen pressures and hand flourishes. Bradford Morrow has created in Will a character rich in criminal indignation.”—Bookreporter

“As Morrow pulls back the curtain to reveal the murky world of book sellers and buyers and ushers readers into the mind of a forger for whom falsifying the perfect signature is a thrill, he also draws us deeper into the puzzle . . . Morrow writes with a sure, clear voice, and his prose is lush and detailed. . . . Recommended for readers who enjoy atmospheric literary thrillers such as Caleb Carr’s The Alienist.”—Library Journal

“Will, the narrator of Morrow’s seventh novel, is a fine creation. . . . A pleasurable study of the lives of book dealers. . . . Morrow’s well-researched passages on the collector’s art meshes well with Will’s romantic longueurs about the life of fakery he left behind.”—Kirkus Reviews

“So well written, The Forgers will take some time to finish as readers might want to reread every sentence.”—Jean-Paul Adriaansen, Water Street Books, Indie Next selection

bookmark New Book about Books and Book People   The Forger by Bradford Morrow.

“les Essais de Montaigne” Sells at auction for $9,600

A rare book “les Essais de Montaigne” garnered strong interest from many antiquarian book dealers and was finally hammered down at $9,600 at Kaminski Auctions Sale.

 

Kaminski Auction  “les Essais de Montaigne” Sells at auction for $9,600

RARE BOOK, LES ESSAIS DE MONTAIGNE

Pre sale estimate - Les Essais de Michel Seigneur de Montaigne, Abel L'Angelier, Paris, 1595, 19th century rebinding, all three books in one volume, bound in full red kid leather with inner gilt borders and marbled end pages, the spine lettered in gilt with five raised bands, gilt page edges, 13 1/4"h x 9 1/4"w. Provenance: From a Massachusetts estate.

EST: $3,000 - $5,000

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bookmark  “les Essais de Montaigne” Sells at auction for $9,600

New Business Directory Available on This Site

I have a new Business Directory available on my site. I have recently begun a business Directory where you can list links to and information about your business. You can even include a link to your sales listings. I only have 3 listings so far but as you can see, it is possible to include a lot of information about your business. I will keep an eye on it so spammers will not take it over. You may post your listing and find information on other business at: http://www.bookcollecting101.com There is no charge for the listing. My readers tend to be collectors and dealers along with some academics. Just look for the business Directory at the top of the page and go there to enter your information.

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Long-lost letter that inspired Kerouac's On the Road to go up for auction

Written by friend and muse Neal Cassady, the Joan Anderson Letter was believed lost after the poet Allen Ginsberg tried to get it published in 1968
American Beat writer Jack Kerouac leans closer to a radio to hear himself on a broadcast, 1959. Photograph: John Cohen/Getty Images

Source: The Guardian (USA) Associated Press in Los Angeles
Sunday 23 November 2014 12.03 EST

It’s been called the letter that launched a literary genre – 16,000 amphetamine-fueled, stream-of-consciousness words written by Neal Cassady to his friend Jack Kerouac in 1950.

Upon reading them, Kerouac scrapped an early draft of On the Road and, during a three-week writing binge, revised his novel into a style similar to Cassady’s, one that would become known as Beat literature.

Kerouac said shortly before his death that the letter would have transformed his counterculture muse Cassady into a towering literary figure, if only it hadn’t been lost. It turns out it wasn’t lost, says Joe Maddalena, whose southern California auction house Profiles in History is putting the letter up for sale on 17 December. It was just misplaced, for more than 60 years.

The letter is being offered as part of a collection that includes papers by ee Cummings, Kenneth Rexroth, Robert Penn Warren and other prominent literary figures. But Maddalena believes the item bidders will want most is Cassady’s 18-page, single-spaced screed describing a drunken, sexually charged, sometimes comical visit to his hometown of Denver.

“It’s the seminal piece of literature of the Beat generation, and there are so many rumors and speculation of what happened to it,” Maddalena said.

Kerouac told The Paris Review in 1968 that poet Allen Ginsberg loaned the letter to a friend who lived on a houseboat in northern California. Kerouac believed the friend then dropped it overboard.

“It was my property, a letter to me, so Allen shouldn’t have been so careless with it, nor the guy on the houseboat,” he said.

As for the quality of the letter, Kerouac described it this way: “It was the greatest piece of writing I ever saw, better’n anybody in America, or at least enough to make Melville, Twain, Dreiser, Wolfe, I dunno who, spin in their graves.”

It turns out Ginsberg apparently was trying to get it published when he mailed the letter to Golden Goose Press in San Francisco. There it remained, unopened, until the small publishing house folded. When it did, its owner planned to throw the letter in the trash, along with every other unopened submission in his files.

That was when the operator of a small, independent music label who shared an office with publisher Richard Emerson came to the rescue. He took every manuscript, letter and receipt in the Golden Goose Archives home with him.

“My father didn’t know who Allen Ginsberg was, he didn’t know Cassady, he wasn’t part of the Beat scene, but he loved poetry,” said Los Angeles performance artist Jean Spinosa, who found the letter as she was cleaning out her late father’s house two years ago. “He didn’t understand how anyone would want to throw someone’s words out.”

Although she knew who Kerouac and Cassady were, Spinosa had never heard of the Joan Anderson Letter, the name Kerouac gave it for Cassady’s description of a woman with whom he had a brief romance.

“It’s invaluable,” historian and Kerouac biographer Dennis McNally said. “It inspired Kerouac greatly in the direction he wanted to travel, which was this spontaneous style of writing contained in a letter that had just boiled out of Neal Cassady’s brain.”

It was a style he would put to use in the novels On the Road and Visions of Cody, which featured Cassady, thinly disguised under the names Dean Moriarty and Cody Pomeroy, as their protagonists. He would continue to use it in such books as The Subterraneans, The Dharma Bums and Lonesome Traveler, cementing his reputation as the father of the Beat generation.

Cassady would gain some small measure of fame as Kerouac’s muse and, later, as the sidekick who drove novelist Ken Kesey’s Merry Pranksters bus across the country.

Meanwhile, about a third of the Joan Anderson Letter, copied by someone before it disappeared, became well-known to students of Kerouac.

When Spinosa discovered she had the whole thing, she took it to Maddalena, a prominent dealer in historical documents and pop-culture artifacts, to authenticate it. He is reluctant to estimate what it might sell for. Although the original manuscript of On the Road fetched $2.4m in 2001, everyone knew that existed. It is much harder to estimate the value, he said, of something no one knew was still around.

For her part, Spinosa says, she is just happy her father rescued the letter from the trash. She is hoping whoever buys it will give the public a chance to see it.

“The letter is so good, and you see why these guys loved him,” she says of Cassady’s fellow Beats. “The writing, it just breathes off the page.”

bookmark Long lost letter that inspired Kerouacs On the Road to go up for auction

Bibliographica 2014: Colin Steele presents talk on the future of books

Thanks to Colin Steele for giving permission to reprint this article which first appeared in the Canberra Times (for which he is a frequent contributor). I found the article very interesting and hope you will enjoy it as well...

Article%20Lead%20 %20wide6327988211p04oimage.related.articleLeadwide.729x410.11ob2i.png1416281562765.jpg 620x349 Bibliographica 2014: Colin Steele presents talk on the future of books

Youth matters: The digital age presents challenges for publishers.

The Japanese word, tsundoku, is a play on the words tsumu, to pile up and doku, to read. The composite word captures the almost tsunami of issues piling up for books and  book collecting, which I'll be addressing in detail at Bibliographica 2014 at the National Library next week.

Can printed books survive the impact of current disruptive technologies, even though the sale of e-books is plateauing out in a number of countries? While tablet sales have now overtaken dedicated readers like Kindle, Amazon has recently introduced its Kindle Unlimited service which offers "unlimited access to over 600,000 titles and thousands of audiobooks on any device for just $9.99 a month".

Article%20Lead%20 %20wide6327988211p04nimage.related.articleLeadwide.729x410.11ob2i.png1416281562765.jpg 620x349 Bibliographica 2014: Colin Steele presents talk on the future of booksBook versus Kindle: Is it merely a matter of work-life balance?

Kindle Unlimited is almost a return to the British historical circulating libraries like Mudie's, which had 7.5 million books in its inventory at the end of the 19th century. Boots, in the 20th century, advertised access to "the finest library service in the kingdom for less than the price of a newspaper". The commercial medium may change, but the message remains, even centuries apart.

The medium of reading has certainly changed. We apparently read more than ever before, three times as much as we did in 1980, but what sort of reading is it? Has instant communication gratification, by the dip-in dip-out generation, led to a reduction in our capacity for sustained attention and thus deep or slow reading? According to a recent Mintel study, about a third of Britons had not bought a book in the past year: 34 per cent said they had no interest in reading, while 20 per cent blamed a lack of spare time.

Hugh Mackay recently reported that over 50 per cent of Australians felt they could not live without their mobile phones, while recent Ofcom research revealed that the average UK adult now spends more time using media or communications than they do sleeping. Judy Wajcman in her recent book, Pressed For Time. The Acceleration Of Life In Digital Capitalism reflects that technological innovation is supposed to save time and energy, but in fact, people have never felt more pressured.

There is still the need, however, for human interaction in an increasingly digital age. Thus, more people than ever are attending literary festivals where you can hear and meet your favourite author. There are now 354 literary festivals each year in Britain alone. In Australia, literary festivals, from Brisbane to Perth, have seen record attendances and book sales in 2014.

While men are the main book collectors, women are the main book readers. Women are also the main attendees at literary festivals. In that context, it was good to hear Julia Gillard at the National Portrait Gallery on November 10 say that she had rediscovered "the joy of reading for pleasure". Gillard mentioned that her current reading favourite was Hilary Mantel, although she refrained from making any cross-reference to the current government and that of Henry VIII.

While literary festivals usually attract an older demographic, younger readers flock to Comic Cons, which record large sales of graphic novels and comics, often linked to TV or film adaptations. Autograph signings by actors from popular TV series and films feature as a major part of these conventions. Autographs are often expensive, but buyers know their autographs are genuine, which is often a problem with eBay sales.

My purchase of a signed Ray Bradbury book in the late 1970s from a major Australian book dealer, proved not to be genuine, when I later checked the signature with Bradbury. So caveat emptor is always the motto. Buyers should also be aware that prices of signed first editions fluctuate almost as much as shares on the sharemarket. Nonetheless, the seller of a signed unread mint copy of the first edition of Richard Flanagan's recent Booker prizewinner would surely have been overjoyed in selling it through the ABE website for $1500.

Amassing a large physical book collection doesn't necessarily entail spending a large amount of money, but you do need the space to house it. Flats lend themselves more to paperbacks and e-books. Barry Humphries, a long-time noted book collector, can clearly afford to accommodate 30,000 books in London, while Nick Cave has been cited as having 100,000 books in his Brighton house. Other notable celebrity collectors include Bryan Ferry and Keith Richards, who apparently once contemplated a career as a librarian.

If you don't have the time to seek out your favourite books in a particular subject, Philip Blackwell, a member of the famous Oxford bookselling family, offers the "Ultimate Library" service, with individual book collections customised for the home or hotel, as occurred with the Savoy Hotel in London.

Charles Stitz, in his excellent Australian Book Collectors volumes, documents numerous examples of collectors whose houses are overrun by books. Relatively few of these are seen, however, in The Canberra Times glossy Saturday magazine, Domain, which almost resembles "property porn" with its pictures of sumptuous house interiors. A famous New Yorker cartoon once showed a real estate agent telling prospective sellers to "lose the books", as they would depress the house value.

Stitz has illustrated the problems faced by book collectors as families downsize or enter retirement homes. I vividly remember visiting the late Professor Oskar Spate in a retirement village in Holt and his angst at only having the space for three to five books in his small room. Access to content would now be alleviated by e-books, but not their physical presence.

Second-hand book dealers and libraries are increasingly reluctant to take large general book collections. University and state libraries prefer to be offered focused specialist collections. But, that is only if they fit their collection profile, have space to house them and resources to process them – a big "if". Public libraries, other than the major state libraries, no longer generally hold large book collections and regularly "weed" collections.

Retirees and children are often the staples of public libraries, which seem to be morphing into social hubs, offering a range of community services beyond book collections. None seem, however, to have followed the example of Edith Cowan University Library in Perth, which has installed sleeping pods for readers to take "power naps". Will librarians, in due course, become bibliographic baristas, just as some bookshops have joined with coffee shops to survive?

Internet access and digitisation has assisted public libraries to combat, in part, the Kindle Unlimited challenge. The entire digital collection of the San Antonio public library system is now available from kiosks at the local airport. A digital bookshelf, "The Library Wall", was recently installed on a North London street to allow users to download non-copyright book titles into their mobile devices.

One segment of the book market that is booming, without even the necessity to read the content, is the high price limited signed edition, exemplified in the offerings of the German publisher Taschen. With the Rolling Stones in the country, why not buy one of its latest offerings, a limited Rolling Stones "Sumo-sized book", numbered and signed by them, with a foreword written by Bill Clinton. A snip at £3500?

Their offerings, however, have been topped by the Ferrari Opus Enzo Diamante. Encrusted with diamonds, signed by all living Ferrari Grand Prix drivers, it was marketed as the most exclusive book in the world when published in 2011. Only one copy was made available in each country at a price of £155,000. The Australian copy was apparently quickly snapped up after being displayed at the 2011 Grand Prix in Melbourne.

These books are far more than "tree flakes encased in dead cow", which is how one commentator has called the traditional printed book. Books will remain an effective information and entertainment source in a variety of forms, such as those accessed in the new Digital Public Library of America. The definition of a book may expand, but books and their content will remain "a fundamental channel of culture", as The Economist magazine recently reaffirmed.

Colin Steele, Emeritus Fellow at the ANU and long-time Canberra Times book reviewer, will give the keynote address at the Annual Conference of the Bibliographical Society of Australia and New Zealand at the National Library on Thursday, November 27. 

 

steele2 e1416709673658 Bibliographica 2014: Colin Steele presents talk on the future of books

 

Colin Steele

Emeritus Fellow, Australian National University

Curriculum Vitae

  • M.A. (Liverpool University)
  • Grad.Dip.Lib. (University College London)
  • Emeritus Fellow 2004, The Australian National University
  • Director, Scholarly Information Strategies, ANU, 2002-2003
  • University Librarian, ANU, 1980-2002
  • Deputy University Librarian, ANU, 1976-1980
  • Assistant Librarian, Bodleian Library, Oxford, 1967-76

 

bookmark Bibliographica 2014: Colin Steele presents talk on the future of books

Bauman Gift Catalog is Now Available

If you want a real treat, be sure to take a look at the 2014 Bauman Rare Books Gift Catalog. It is definitely something to see. Yes, the prices are high but the books are superb. It is well worth a look... Just:

 

Go Here

Bauman ny gallery Bauman Gift Catalog is Now Available

Bauman Rare Books New York

bookmark Bauman Gift Catalog is Now Available

Princeton Philanthropist William H. Scheide Dies at 100

Source: Planet Princeton

WHS JMS photo Kevin Birch 336x223 Princeton Philanthropist William H. Scheide Dies at 100

William H. Scheide, the Princeton philanthropist and Bach enthusiast who made significant contributions to scholarship in various fields of study and curated one of the largest rare book and manuscript collections in the world, died early this morning, a source close to the family confirmed. He was 100.

Born in Philadelphia on January 6, 1914, Bill was the only child of John Hinsdale Scheide and Harriet Hurd. His parents were passionate about music, culture, rare books and human rights. His father played the piano, and his mother, a social worker, sang. At age 6, Scheide began piano lessons. He later learned to play the organ and the oboe.

A 1936 graduate of Princeton University, Scheide majored in history because there was no music department at the school at the time. He wrote music criticism for The Daily Princetonian, and enjoyed attending concerts in Philadelphia and New York. His senior thesis, “Adaptations of Christianity to Chinese Culture,” explored the pervasive Christian influences Jesuit missionaries brought into Chinese culture centuries earlier.

Scheide earned his master’s degree from Columbia University in 1940. His graduate thesis explored what happened to Bach’s music in the first century after his death. 

Known as one of the most famous Bach enthusiasts in the music world, he was the first American published in the Bach-Jahrbuch, one of the world’s most respected Bach literary periodicals.

He taught at Cornell University for two years and played the oboe with a group of amateur musicians who performed an all-Bach repertory. He founded the Bach Aria Group in 1946 and served as its director until 1980. For more than three decades, the group enjoyed international acclaim for its concerts, broadcasts, and recordings. Scheide also helped fund the reconstruction of the Woolworth Music Center at Princeton University and endowed a professorship of music history at the school.

Scheide also expanded the rare book and manuscript collection begun by his grandfather and enlarged by his father. The Scheide Library is housed within Firestone Library at Princeton University. Scheide completed their collection of the first four printed editions of the Bible in 2002. Other items in the collection included musical manuscripts by Bach and other famous composers, a 14th-century Magna Carta, a first edition of Milton’s “Paradise Lost,” and letters by Christopher Columbus. On his 90th birthday, Scheide announced that he would bequeath his rare book collection to Princeton University upon his death. He donated rare books to several other academic institutions, including Princeton Theological Seminary and Westminster Choir College.

Throughout his life, Scheide, who was Presbyterian, used his inherited fortune to support a variety of philanthropic causes, including civil rights issues. He was the chief funder of the landmark 1954 lawsuit Brown v. Board of Education that ended public school segregation. For more than five decades, he played a crucial and invaluable part in advancing the goals of The NAACP Legal Defense and Educational Fund. He was a member of the NAACP’s national committee and was a principal funder of the organization. He donated around $200,000 to hire poll-watchers on the lookout for race discrimination at the Florida polls in 2008. He was also a major supporter of Centurion Ministries, the Princeton-based nonprofit that works to free the innocent from prison.

Scheide met his first wife, Lorna Riggs Scheide, at the International House of New York and married her shortly after in 1940. He separated from his first wife in 1966 and married Gertrude Corbin in 1971. She died in 2002. He married Judith Scheide in 2003. Scheide has three children.

For the last seven years, Scheide and his wife hosted an annual concert that showcased famous orchestras performing rare works. The money raised through the sold-out performances benefited area organizations including Westminster Choir College, the Princeton Recreation Department, the Princeton Public Library, Centurion Ministries, and Isles.

bookmark Princeton Philanthropist William H. Scheide Dies at 100

Maurice Sendak's Rare Book Collection is Subject of New Lawsuit


Source: NY Times Books
By CAROLYN KELLOGG
Maurice Sendak's books are the subject of a dispute between a museum and his executors

sendak about Maurice Sendaks Rare Book Collection is Subject of New Lawsuit

Maurice Sendak was the author of the beloved children's books "Where the Wild Things Are," "In the Night Kitchen," "Chicken Soup with Rice" and many more. The author and illustrator, who could be delightfully gruff (see his not-safe-for-work interview with Stephen Colbert), passed away in 2012 at age 84.

In his will, he directed his rare book collection and items of his personal work be gifted to the Rosenbach Museum and Library in Philadelphia, and they haven't been, according to a lawsuit filed by the museum last week.

The Philadelphia Inquirer reports that Sendak's relationship with the museum dates to the 1960s, when he began placing his work there on deposit. He was at times a board member and its honorary president. The museum presented dozens of shows of his work.

"According to the suit, the Sendak trustees have turned over fewer than half the hundreds of items in Sendak's rare-book collection," the Inquirer reports. "In fact, the estate has told the Rosenbach it had no intention of transferring ownership of several extremely valuable volumes by Peter Rabbit author Beatrix Potter because they are children's books, not rare books, the suit states. The Rosenbach calls that reasoning not only faulty but rife with irony: Sendak argued that divisions between adult and children's literature were invalid - in his work as well as that of others. He called Potter's works 'the literary equivalent of the greatest English prose writers that have lived.'"

The suit was filed in Connecticut, where Sendak lived. There are tentative plans to establish a museum and study center there. The Inquirer reports that many of the items left in the Rosenbach's care are intended to support that museum. "But his will directed the estate and Rosenbach to reach a deal whereby the museum would continue to display many items," the Inquirer writes, "Such a deal, long expected, has not been reached."

The lawsuit asks the probate court to compel individuals who overlap as executors of Sendak's estate and officers of the Maurice Sendak Foundation to carry out Sendak's wishes.

Sendak's executors have a Christie's auction scheduled for Jan. 21. The auction, titled "The World of Maurice Sendak: Artist, Author, Connoisseur," has not yet released the items to be offered for sale. Sendak's estate has said that none of the items in question will be auctioned.

Separately from its lawsuit, the museum has sought a court order barring the executors from transferring, disposing or distributing any books until the dispute is resolved.

www.abe.com has a signed first edition of Where the Wild Things Are offered for $13,500.00

Where the wild things are2 Maurice Sendaks Rare Book Collection is Subject of New Lawsuit

bookmark Maurice Sendaks Rare Book Collection is Subject of New Lawsuit

Effect of Humidity Fluctuation on a Rare Book

Here is a video about the effects of humidity on rare books. We all know humidity is very bad for our collection. Here is scientific proof...

The following video shows an experiment conducted at IPI to illustrate the physical effects that occur on library and archive materials due to changes in humidity conditions. In this example, a vellum bound book (Johann Hübner "Kurze Fragen aus der politischen Historia biß auf gegenwärtige Zeit" printed in 1701) was studied. The experiment started at an equilibrated condition of 55% relative humidity, then conditions were altered to 25%, back to 55%, and finally to 75%. The duration of the experiment was 12 hours and conducted at room temperature.

bookmark Effect of Humidity Fluctuation on a Rare Book

What's a Booker Prize worth?

 Source, The Sydney Morning Herald

 

signed narrow road deep north flanagan Whats a Booker Prize worth?

Clever you if you bought The Narrow Road to the Deep North and asked Richard Flanagan to sign it on publication last year (and even better if you read it). The online rare book dealer AbeBooks sold a rare "unread", mint-condition, signed, Australian first-edition copy for $US1313 ($A1500) after his Man Booker Prize win last week - the company's best ever post-Booker price.

"Today a signed first edition of a Booker Prize-winning book is worth three figures as soon as the announcement is made," says Richard Davies at AbeBooks. "The phenomenon of signed copies selling like hot cakes in the immediate aftermath of a book prize announcement is a relatively new thing" - a product of online bookselling, he says and the Booker is the only prize with that effect.

AbeBooks has no sales record for True History of the Kelly Gang by Peter Carey after it won the 2001 Booker, though a copy sold for $US475 this year. But signed copies of Life of Pi by Yann Martel sold online for $US250 immediately after its 2002 win and reached a top price of $US3,720 in 2008.

Davies says the only "highly collectible" Booker winner is Midnight's Children by Salman Rushdie from 1981: an uncorrected proof sold for $US14,000 last year and signed first editions sell for about $US4000.

MidnightsChildren Whats a Booker Prize worth?

Read more: http://www.smh.com.au/entertainment/books/undercover-book-news-whats-a-booker-prize-worth-20141021-119k0z.html#ixzz3HCNzOBKg

bookmark Whats a Booker Prize worth?