Category: Book News

The newest satellite show for New York City Rare Book Week

The newest satellite show for New York City Rare Book Week will feature 60 fine book and ephemera dealers with fresh material. Located less than a mile from the NY Antiquarian Book Fair at the Park Ave, Armory.

logo NYC Book Week

Free Shuttle bus drop-off service from this fair to the armory running continuously from 8:15 am - noon.

April 11, 2015
Saturday 8am-4pm
Wallace Hall at St. Ignatius Loyola Church
980 Park AVe. (between 83-84 sts)
New York, New York

Directions
Dealer List
Discount Admission Coupon
Space Rental Inquiry
Purchase your ticket online in advance and save $5 off the admission
Purchase Tickets Here

Get ready for the California Book Fair!

CA book fairThe 48th annual California International Antiquarian Book Fair kicks off in Oakland, CA on February 6, 2015.

The event runs for three days (Feb 6-8) and is the world’s largest antiquarian book fair with more than 200 booksellers from the United States and around the globe offering a rich selection of books, manuscripts, maps and other printed materials.

There are several special events planned, including a lecture on Jack London's work as a photographer by London expert Sara Hodson; seminars on book collecting; a lecture by Daniel De Simone, the Eric Weinmann Librarian at the Folger Shakespeare Library; and an exhibition on the special collections at the F.W. Olin Library at Mills College.

This year, the fair moves to historic Oakland, CA -- which the New York Times recently named as one of the top five world destinations to visit! The venue is the Marriott Oakland City Center, easily accessible via the 12th Street BART station. More information about the fair can be found at www.cabookfair.com

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The University of Dammam Saudi Arabia Receives an Unprecedented Rare Book Collection

UoD Receives an Unprecedented Rare Book Collection

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New Book about Books and Book People - The Forger by Bradford Morrow

The Forger, Author Bradford Morrow

Contemporary rare book dealers, antiquarian book fairs, forgers… this book satisfies your craving for an authentic, engaging biblio-mystery. I found myself unable to put it down until It was finished. This is an excellent story told by an excellent storyteller. Enjoy!!!

A rather lengthy quote from The Forger that sums up my thoughts on book collecting very well. I finished the book. It is well worth the read...

"Especially poignant to him was a book that looked just it did on publication day decades or centuries before. Looked just as it did when the author held it in his or her hands for the first time. To possess a pristine copy was to share the author's experience, to virtually exist in another era as a time traveler might, and to join in communion with all those owners down the years who had protected it against time's depravities. That to him was the virtue of condition. Nor did his love of signed or inscribed copies have much to do with ordinary fetishism or pure market investment value, although he was both a good investor and surely a fetishist of sorts. Again, it had to do with the proximity of the author. That the writer's flesh-and-blood hand had touched this title page or that piece of foolscap brought an immeasurable significance to the whole object. Made it distinctive and exceptional, yes, but, perhaps even more important, personal and even intimate. Authorial DNA, the inscribed phrases and tender inscriptions, lifted even the commonest works into a higher category of value, not just monetary but, if you will, spiritual."

Review
One of Amazon's Top 100 Books of the Year
A Publishers Weekly Best Book of the Year
An Indie Next Pick for November
A LibraryReads Selection for November
A Library Journal Editors' Pick for Fall

Forgers

“From its provocative opening line . . . Bradford Morrow’s latest novel takes on a knowing, noirish tone, like a crime movie by the Coen brothers. . . . The pleasure of reading The Forgers comes not only from trying to figure out what happened to Diehl but also in deciding, chapter by chapter, how much trust to grant the narrator, who is our only source.”—Miami Herald

“The Forgers is quintessential Bradford Morrow. Brilliantly written as a suspense novel, lethally enthralling to read, and filled with arcane, fascinating information—in this case, the rarified world of high-level literary forgery.”—Joyce Carol Oates

“Bradford Morrow’s The Forgers is a bibliophile’s dream, an existential thriller set in the world of rare book collecting that is also a powerfully moving exposé of the forger's dangerous skill: what happens when you lie so well that you lose touch with what is real? In beautifully controlled prose, Morrow traces the shaky line between paranoia and gut-intuition, memory and self-delusive fiction, hollow and real love. It's perfect all-night flashlight reading—Bradford Morrow at his lyrical, surprising, suspenseful, genre-bending best.”—Karen Russell, author of Vampires in the Lemon Grove and Swamplandia!

“The Forgers is remarkable. Bradford Morrow is remarkable. The Real Thing, which is rare on this earthly plane.”—Michael Cunningham, author of The Hours and The Snow Queen

“Delightful to read.”—NPR.com

“Bradford Morrow illuminates the seamy side of the rare-book trade in The Forgers.”—Vanity Fair

“In The Forgers, Bradford Morrow hits the sweet spot at the juncture of genre crime fiction and the mainstream novel with an almost mystical perfection. Readers of either form will be gratified and impressed, and those who are readers of both will be thrilled. In its deep knowledge of books and those who trade in them, and in its thousand vivid, unexpected turns of phrase—its depth of both subject and language—The Forgers could have been written only by Morrow and at only the rare and striking level of mastery he has now achieved.”—Peter Straub, author of A Dark Matter and Ghost Story

“[A] consistently unnerving mystery. . . . The best moments in The Forgers come . . . from its intimate knowledge of books, details about signatures, ink, bindings, the slant of Arthur Conan Doyle’s handwriting . . . creating an ambience of old-fashioned gothic suspense that bibliophiles in particular will enjoy.”—USA Today

“With The Forgers, Bradford Morrow has masterfully combined an exquisitely thickening plot, an informed appreciation of the antiquarian book world, and a deep understanding of what makes the obsessive people who inhabit this quirky community do the sort of impassioned things they sometimes do, up to and including the commission of horrific crimes. Morrow has hit the ball out of the park—The Forgers is a grand slam, in the bottom of the ninth, to boot. This is a bibliomystery you will want to inhale in one sitting.”—Nicholas Basbanes, author of A Gentle Madness and On Paper

“The Forgers . . . stuns from its first line. . . . Morrow offers a suspenseful plot that coexists with gritty characters and ominous imagery.”—Fine Books Magazine

“[An] artfully limned suspense novel. . . . The insights Morrow offers into the lure of collecting, the rush of forgery as a potentially creative act, and underlying questions of authenticity render the whodunit one of the lesser mysteries of this sly puzzler.”—Publishers Weekly (starred review)

“The Forgers is a reader’s dream: intelligently written, with beautiful details paid to the use of inks and stationary, pen pressures and hand flourishes. Bradford Morrow has created in Will a character rich in criminal indignation.”—Bookreporter

“As Morrow pulls back the curtain to reveal the murky world of book sellers and buyers and ushers readers into the mind of a forger for whom falsifying the perfect signature is a thrill, he also draws us deeper into the puzzle . . . Morrow writes with a sure, clear voice, and his prose is lush and detailed. . . . Recommended for readers who enjoy atmospheric literary thrillers such as Caleb Carr’s The Alienist.”—Library Journal

“Will, the narrator of Morrow’s seventh novel, is a fine creation. . . . A pleasurable study of the lives of book dealers. . . . Morrow’s well-researched passages on the collector’s art meshes well with Will’s romantic longueurs about the life of fakery he left behind.”—Kirkus Reviews

“So well written, The Forgers will take some time to finish as readers might want to reread every sentence.”—Jean-Paul Adriaansen, Water Street Books, Indie Next selection

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“les Essais de Montaigne” Sells at auction for $9,600

A rare book “les Essais de Montaigne” garnered strong interest from many antiquarian book dealers and was finally hammered down at $9,600 at Kaminski Auctions Sale.

 

EST: $3,000 - $5,000

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New Business Directory Available on This Site

I have a new Business Directory available on my site. I have recently begun a business Directory where you can list links to and information about your business. You can even include a link to your sales listings. I only have 3 listings so far but as you can see, it is possible to include a lot of information about your business. I will keep an eye on it so spammers will not take it over. You may post your listing and find information on other business at: http://www.bookcollecting101.com There is no charge for the listing. My readers tend to be collectors and dealers along with some academics. Just look for the business Directory at the top of the page and go there to enter your information.

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Bibliographica 2014: Colin Steele presents talk on the future of books

Thanks to Colin Steele for giving permission to reprint this article which first appeared in the Canberra Times (for which he is a frequent contributor). I found the article very interesting and hope you will enjoy it as well...

Youth matters: The digital age presents challenges for publishers.

Youth matters: The digital age presents challenges for publishers.

The Japanese word, tsundoku, is a play on the words tsumu, to pile up and doku, to read. The composite word captures the almost tsunami of issues piling up for books and  book collecting, which I'll be addressing in detail at Bibliographica 2014 at the National Library next week.

Can printed books survive the impact of current disruptive technologies, even though the sale of e-books is plateauing out in a number of countries? While tablet sales have now overtaken dedicated readers like Kindle, Amazon has recently introduced its Kindle Unlimited service which offers "unlimited access to over 600,000 titles and thousands of audiobooks on any device for just $9.99 a month".

Book versus Kindle: Is it merely a matter of work-life balance?Book versus Kindle: Is it merely a matter of work-life balance?

Kindle Unlimited is almost a return to the British historical circulating libraries like Mudie's, which had 7.5 million books in its inventory at the end of the 19th century. Boots, in the 20th century, advertised access to "the finest library service in the kingdom for less than the price of a newspaper". The commercial medium may change, but the message remains, even centuries apart.

The medium of reading has certainly changed. We apparently read more than ever before, three times as much as we did in 1980, but what sort of reading is it? Has instant communication gratification, by the dip-in dip-out generation, led to a reduction in our capacity for sustained attention and thus deep or slow reading? According to a recent Mintel study, about a third of Britons had not bought a book in the past year: 34 per cent said they had no interest in reading, while 20 per cent blamed a lack of spare time.

Hugh Mackay recently reported that over 50 per cent of Australians felt they could not live without their mobile phones, while recent Ofcom research revealed that the average UK adult now spends more time using media or communications than they do sleeping. Judy Wajcman in her recent book, Pressed For Time. The Acceleration Of Life In Digital Capitalism reflects that technological innovation is supposed to save time and energy, but in fact, people have never felt more pressured.

There is still the need, however, for human interaction in an increasingly digital age. Thus, more people than ever are attending literary festivals where you can hear and meet your favourite author. There are now 354 literary festivals each year in Britain alone. In Australia, literary festivals, from Brisbane to Perth, have seen record attendances and book sales in 2014.

While men are the main book collectors, women are the main book readers. Women are also the main attendees at literary festivals. In that context, it was good to hear Julia Gillard at the National Portrait Gallery on November 10 say that she had rediscovered "the joy of reading for pleasure". Gillard mentioned that her current reading favourite was Hilary Mantel, although she refrained from making any cross-reference to the current government and that of Henry VIII.

While literary festivals usually attract an older demographic, younger readers flock to Comic Cons, which record large sales of graphic novels and comics, often linked to TV or film adaptations. Autograph signings by actors from popular TV series and films feature as a major part of these conventions. Autographs are often expensive, but buyers know their autographs are genuine, which is often a problem with eBay sales.

My purchase of a signed Ray Bradbury book in the late 1970s from a major Australian book dealer, proved not to be genuine, when I later checked the signature with Bradbury. So caveat emptor is always the motto. Buyers should also be aware that prices of signed first editions fluctuate almost as much as shares on the sharemarket. Nonetheless, the seller of a signed unread mint copy of the first edition of Richard Flanagan's recent Booker prizewinner would surely have been overjoyed in selling it through the ABE website for $1500.

Amassing a large physical book collection doesn't necessarily entail spending a large amount of money, but you do need the space to house it. Flats lend themselves more to paperbacks and e-books. Barry Humphries, a long-time noted book collector, can clearly afford to accommodate 30,000 books in London, while Nick Cave has been cited as having 100,000 books in his Brighton house. Other notable celebrity collectors include Bryan Ferry and Keith Richards, who apparently once contemplated a career as a librarian.

If you don't have the time to seek out your favourite books in a particular subject, Philip Blackwell, a member of the famous Oxford bookselling family, offers the "Ultimate Library" service, with individual book collections customised for the home or hotel, as occurred with the Savoy Hotel in London.

Charles Stitz, in his excellent Australian Book Collectors volumes, documents numerous examples of collectors whose houses are overrun by books. Relatively few of these are seen, however, in The Canberra Times glossy Saturday magazine, Domain, which almost resembles "property porn" with its pictures of sumptuous house interiors. A famous New Yorker cartoon once showed a real estate agent telling prospective sellers to "lose the books", as they would depress the house value.

Stitz has illustrated the problems faced by book collectors as families downsize or enter retirement homes. I vividly remember visiting the late Professor Oskar Spate in a retirement village in Holt and his angst at only having the space for three to five books in his small room. Access to content would now be alleviated by e-books, but not their physical presence.

Second-hand book dealers and libraries are increasingly reluctant to take large general book collections. University and state libraries prefer to be offered focused specialist collections. But, that is only if they fit their collection profile, have space to house them and resources to process them – a big "if". Public libraries, other than the major state libraries, no longer generally hold large book collections and regularly "weed" collections.

Retirees and children are often the staples of public libraries, which seem to be morphing into social hubs, offering a range of community services beyond book collections. None seem, however, to have followed the example of Edith Cowan University Library in Perth, which has installed sleeping pods for readers to take "power naps". Will librarians, in due course, become bibliographic baristas, just as some bookshops have joined with coffee shops to survive?

Internet access and digitisation has assisted public libraries to combat, in part, the Kindle Unlimited challenge. The entire digital collection of the San Antonio public library system is now available from kiosks at the local airport. A digital bookshelf, "The Library Wall", was recently installed on a North London street to allow users to download non-copyright book titles into their mobile devices.

One segment of the book market that is booming, without even the necessity to read the content, is the high price limited signed edition, exemplified in the offerings of the German publisher Taschen. With the Rolling Stones in the country, why not buy one of its latest offerings, a limited Rolling Stones "Sumo-sized book", numbered and signed by them, with a foreword written by Bill Clinton. A snip at £3500?

Their offerings, however, have been topped by the Ferrari Opus Enzo Diamante. Encrusted with diamonds, signed by all living Ferrari Grand Prix drivers, it was marketed as the most exclusive book in the world when published in 2011. Only one copy was made available in each country at a price of £155,000. The Australian copy was apparently quickly snapped up after being displayed at the 2011 Grand Prix in Melbourne.

These books are far more than "tree flakes encased in dead cow", which is how one commentator has called the traditional printed book. Books will remain an effective information and entertainment source in a variety of forms, such as those accessed in the new Digital Public Library of America. The definition of a book may expand, but books and their content will remain "a fundamental channel of culture", as The Economist magazine recently reaffirmed.

Colin Steele, Emeritus Fellow at the ANU and long-time Canberra Times book reviewer, will give the keynote address at the Annual Conference of the Bibliographical Society of Australia and New Zealand at the National Library on Thursday, November 27. 

 

steele2

 

Colin Steele

Emeritus Fellow, Australian National University

Curriculum Vitae

  • M.A. (Liverpool University)
  • Grad.Dip.Lib. (University College London)
  • Emeritus Fellow 2004, The Australian National University
  • Director, Scholarly Information Strategies, ANU, 2002-2003
  • University Librarian, ANU, 1980-2002
  • Deputy University Librarian, ANU, 1976-1980
  • Assistant Librarian, Bodleian Library, Oxford, 1967-76

 

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Maurice Sendak's Rare Book Collection is Subject of New Lawsuit


Source: NY Times Books
By CAROLYN KELLOGG
Maurice Sendak's books are the subject of a dispute between a museum and his executors

sendak_about

Maurice Sendak was the author of the beloved children's books "Where the Wild Things Are," "In the Night Kitchen," "Chicken Soup with Rice" and many more. The author and illustrator, who could be delightfully gruff (see his not-safe-for-work interview with Stephen Colbert), passed away in 2012 at age 84.

In his will, he directed his rare book collection and items of his personal work be gifted to the Rosenbach Museum and Library in Philadelphia, and they haven't been, according to a lawsuit filed by the museum last week.

The Philadelphia Inquirer reports that Sendak's relationship with the museum dates to the 1960s, when he began placing his work there on deposit. He was at times a board member and its honorary president. The museum presented dozens of shows of his work.

"According to the suit, the Sendak trustees have turned over fewer than half the hundreds of items in Sendak's rare-book collection," the Inquirer reports. "In fact, the estate has told the Rosenbach it had no intention of transferring ownership of several extremely valuable volumes by Peter Rabbit author Beatrix Potter because they are children's books, not rare books, the suit states. The Rosenbach calls that reasoning not only faulty but rife with irony: Sendak argued that divisions between adult and children's literature were invalid - in his work as well as that of others. He called Potter's works 'the literary equivalent of the greatest English prose writers that have lived.'"

The suit was filed in Connecticut, where Sendak lived. There are tentative plans to establish a museum and study center there. The Inquirer reports that many of the items left in the Rosenbach's care are intended to support that museum. "But his will directed the estate and Rosenbach to reach a deal whereby the museum would continue to display many items," the Inquirer writes, "Such a deal, long expected, has not been reached."

The lawsuit asks the probate court to compel individuals who overlap as executors of Sendak's estate and officers of the Maurice Sendak Foundation to carry out Sendak's wishes.

Sendak's executors have a Christie's auction scheduled for Jan. 21. The auction, titled "The World of Maurice Sendak: Artist, Author, Connoisseur," has not yet released the items to be offered for sale. Sendak's estate has said that none of the items in question will be auctioned.

Separately from its lawsuit, the museum has sought a court order barring the executors from transferring, disposing or distributing any books until the dispute is resolved.

www.abe.com has a signed first edition of Where the Wild Things Are offered for $13,500.00

Where the wild things are

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What's a Booker Prize worth?

 Source, The Sydney Morning Herald

 

signed-narrow-road-deep-north-flanagan

Clever you if you bought The Narrow Road to the Deep North and asked Richard Flanagan to sign it on publication last year (and even better if you read it). The online rare book dealer AbeBooks sold a rare "unread", mint-condition, signed, Australian first-edition copy for $US1313 ($A1500) after his Man Booker Prize win last week - the company's best ever post-Booker price.

"Today a signed first edition of a Booker Prize-winning book is worth three figures as soon as the announcement is made," says Richard Davies at AbeBooks. "The phenomenon of signed copies selling like hot cakes in the immediate aftermath of a book prize announcement is a relatively new thing" - a product of online bookselling, he says and the Booker is the only prize with that effect.

AbeBooks has no sales record for True History of the Kelly Gang by Peter Carey after it won the 2001 Booker, though a copy sold for $US475 this year. But signed copies of Life of Pi by Yann Martel sold online for $US250 immediately after its 2002 win and reached a top price of $US3,720 in 2008.

Davies says the only "highly collectible" Booker winner is Midnight's Children by Salman Rushdie from 1981: an uncorrected proof sold for $US14,000 last year and signed first editions sell for about $US4000.

MidnightsChildren

Read more: http://www.smh.com.au/entertainment/books/undercover-book-news-whats-a-booker-prize-worth-20141021-119k0z.html#ixzz3HCNzOBKg

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Tough read: World's smallest book

Tough read: World's smallest book is more for mice than men at John Rylands Library

| By Glen Keogh

World's smallest book.

Manchester’s bookworms may have difficulty reading John Rylands Library’s newest acquisition  as it now owns a copy of the world’s smallest book.

Measuring just 2.4 by 2.9mm, the tiny leather-bound text is said by library curators to be the smallest mechanically-printed book on the planet.

Unlike other miniscule manuscripts, this ABC-picture book was painstakingly crafted using conventional book-binding techniques – giving it a real spine, leather cover and 26 traditional paper pages.

Readers need tweezers to turn the tiny pages where they will see uniquely designed letters drawn by renowned German typographer Joshua Reichert.

IN DEMAND: Only 300 copies of the book were made and published for as little as £100 (© Cavendish Press)

The book, produced in Leipzig, Germany, in 2002, was created as a feat of printing expertise to commemorate the work of Jonannes Gutenberg who was widely credited for the invention of printing technology in Europe.

Much smaller printing presses than usual were used to craft 300 copies which were later sold for as little as £100.

It pips smaller ‘books’ – one fitting on the width of a human hair and another created using the same technology as money printers use to prevent forgery – because of its delicately traditional creation.

The Guinness World Records smallest reproduction of a printed book measures just 70 micrometres by 100 micrometres but was created using an ion beam on a pure crystalline silicon page rather than conventional ink on paper.


THE REAL DEAL: With 26 paper pages, a real spine and leather cover the text is officially the world’s smallest mechanically-printed book (© Cavendish Press)

Held in Manchester’s John Rylands Library in partnership with the University of Manchester, the book is kept safe from giant fingers in a box alongside other small books from their collection and has been part of the collection since 2012.

Julianne Simpson, Rare Book and Maps Manager at the library said that when it emerged there was a smaller book than their previous record-holder – a tiny edition of the Lord’s Prayer – they had to buy it.

“We love it as a library interested in printing and fine printing so it’s the sort of thing that is attractive to us,” she said.

“Some of the other really small books in the world aren’t what we would consider proper printing.

“This even has its own little leather binding. It’s made like a normal book. We have a small collection of small books and keep them all together in a box. We get them out occasionally but have to keep a very close eye on them.

“It’s a very quirky typeface and it’s printed in multiple colours which sets it apart from most others like this. It’s just showing off really!”


CAUGHT SHORT: The book measures just 2.4mm by 2.9mm (© Cavendish Press)

The John Rylands library has an astonishing collection of around half a million old and rare texts.

Ms Simpson added: “If you have good eyesight you can just about make the letters out. It’s probably not the right book to curl up with alongside the fire.

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