Category: Collectible Book

Defaced first edition of ‘Ulysses’ valued at €13,500

Book was defaced by an irate reader who regarded the book as pornographic...

Ulysses defaced

A copy of Ulysses by James Joyce in which a previous reader has written “A Pornographic Bible” under the title. Photograph: Philip Cloherty

Source: The Irish Times
By: Michael Parsons
First published:
Tue, Dec 31, 2013, 01:00

A first-edition copy of James Joyce’s novel Ulysses has been valued at €13,500 despite having been defaced by an irate reader who regarded the book as pornographic.

Galway-based rare book dealer Norman Healy, who acquired the book in London, said a previous owner had defaced the book by writing the comment “a pornographic Bible” on the famous blue paper cover beneath the title. The word “pornographic” is underlined.

Defaced books are often worthless but such is the desirability of first-edition copies of Ulysses it has been catalogued for resale at €13,500. Mr Healy said the book would normally be valued at about €10,500 but he believed the comment, added by “a previous, less than enthusiastic owner”, had enhanced the value.

The identity of the previous owner is not known but the defacement is likely to have occurred long before the book’s importance and financial value became apparent. The comment reflected the view, widely held in the early 20th century, that Ulysses was scandalous.

Ulysses was published in Paris on Joyce’s 40th birthday, February 2nd, 1922, by Sylvia Beach, an American publisher and founder of the Paris bookshop Shakespeare and Company. A thousand numbered copies were printed, clad in soft covers that featured the title and the author’s name in white on a blue background. A copy can be worth tens or hundreds of thousands of euro, depending on the condition and whether or not it was signed or inscribed by Joyce.

For collectors of rare books, Ulysses is said to be the most sought-after and valuable 20th century first edition. The most valuable are those rare examples that still have the fragile dust-jacket wrapper intact and were signed or inscribed by Joyce.

The defaced “pornographic” copy is missing half the dust jacket and was not signed by Joyce.

The highest price achieved to date for a first edition of Ulysses was for a copy, inscribed by Joyce to Henry Kaeser, a Swiss publisher, that was sold in 2002 at Christie’s, New York, to a private collector for $460,500 (€333,600).

Of the 1,000 first-edition copies of Ulysses, 200 are reliably believed lost or destroyed. Of the 800 copies known to be extant, about half are in public collections – including that of the National Library – and the others are privately owned. Copies occasionally turn up at auction or for sale by dealers.

In the 1920s the New York Society for the Suppression of Vice ensured Ulysses was effectively banned in the United Sates and copies sent there were seized and destroyed by the post office. Despite strict censorship during the 20th century, Ulysses was not banned in Ireland but was not imported, for fear of a prosecution.

Even some of Joyce’s literary contemporaries expressed disapproval of the novel. DH Lawrence regarded Molly Bloom’s soliloquy at the end of the novel as “the dirtiest, most indecent, obscene thing ever written” and told his wife: “This Ulysses muck is more disgusting than Casanova.”

Virginia Woolf was shocked by the “obscenity” she encountered in Ulysses.

In 1934, a US court ruled that the book was neither pornographic nor and obscene. Further editions were then published and the novel became available worldwide.

Era ends: Liquidation sale at Berkeley’s Serendipity Books

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Source: Berkeleyside
November 7, 2013 11:00 am by Frances Dinkelspiel
Photo: Scott Brown

When Peter Howard, the owner of Serendipity Books, died in March 2011, he left behind more than one million books crammed into his two-level store on University Avenue in Berkeley with the oak barrel hanging out front.

Howard’s collection of rare and antique books was considered one of the best in the country; he often sold books and manuscripts to places like the Bancroft Library at UC Berkeley or the Lilly Library at Indiana University.

The collection included so many amazing items that Bonham’s held six different auctions of his holdings, selling off early editions of John Steinbeck, a broadside by James Joyce, many modern first editions, early baseball memorabilia — even poet Carl Sandburg’s guitar.

But there are still books left to sell. More than 100,000 books, in fact.

On Saturday at 10 a.m., the doors of Serendipity Books at 1201 University Ave. will open for what will surely be one of Berkeley’s most memorable used-book fairs. Eureka Books of Eureka, California, acquired the remainder of the Serendipity collection, and will sell the books on most weekends through Dec. 15. The books start out at $5 early in the sale, and will drop to $1 each in mid-December.

“It was a one of a kind place,” said Scott Brown, the co-owner of Eureka Books, who was also a longtime Serendipity customer. “I don’t think there is another bookstore like Serendipity around.”

The bookstore was a jumble of books stacked high in shelves and in boxes and bags when Howard, 72, died of pancreatic cancer. The auctioneers moved out most of the books, but the store was still a wreck when Eureka Books came in to sort, said Brown. Workers spent weeks reassembling the place.

The mystery section of the second floor was virtually impassable, with bags of books blocking the floor. Many books were still stacked up on high shelves and were unreachable; the Eureka staff brought them down to viewing height. The shelves in the front room were almost empty, but now have been refilled with books from other parts of the store. (The shelves and other fixtures are also for sale.)

“It would not be wrong to say there were 1,000 bags and boxes filled with books in the store,” said Brown. “By the time we unpacked those I would say the whole ground floor was full again.”

Even though the best books were auctioned off, many gems remain, said Brown. There will be an entire section of 18th- and 19th-century leather books on sale for $5.

“While there are no $1,000 books laying around, we left many, many things that were priced in the hundreds,” said Brown.

Howard’s daughters plan to keep the University Avenue building and find a new tenant after the sale, said Brown. They donated Howard’s correspondence with literary luminaries like J. D. Salinger, Graham Greene and Larry McMurtry to the Lilly Library, he said.

A number of leather-bound old books will be on sale for $5 at the Serendipity Books liquidation sale.

Howard started Serendipity Books in 1967 in a small store on Shattuck Avenue and moved to the University Avenue location in 1986. Howard collected a voluminous number of books – he often bought individual’s entire collections. He had a reputation as an astute rare-book dealer. He discovered and saved many important manuscript collections, as well as collecting works by both well-known and lesser-known writers. He consulted with major libraries on what to buy and how much to bid.

“He was one of the major antiquarian book dealers of our time,” said Victoria Shoemaker, a literary agent, close friend and former neighbor of Howard’s.

Howard made some notable purchases in his lengthy career as a bookseller.

In the late 1990s, he bought the 18,000-volume collection of Carter Burden, a descendant of Cornelius Vanderbilt, and a progressive New York politician and businessman. The size of the collection prompted Howard to install space-saving compact shelving, making Serendipity the only bookstore in the world to have such shelving.

In 1991, Howard was offered the archives of Thomas M. Jackson, an Oakland grocer who had served as secretary for the California chapter of the NAACP from 1910 and 1940. After Jackson died, in 1963, someone took his papers to the Berkeley dump. Someone else rescued them and asked Howard to help them find a proper home. Howard sold the papers to the Bancroft Library.

Later in that decade, someone found 946 letters exchanged between two Japanese-American teenagers who met at an internment camp in Utah. Tamaki Tsubokura and David Hisato Yamate were separated for a few years during the war, and they wrote to one another frequently. These letters were also dumped at the Berkeley landfill and later rescued. Howard brokered their sale to the University of Utah.

One indication of the reverence in which Howard was held by the rare-book community came every two years around the time of the Antiquarian Book Fair in San Francisco. Howard would throw a huge party at Serendipity Books the Wednesday before the fair. He would clear the books in his store out of the aisles and off of the tables, tent-over the parking lot, and have Poulet cater the meal. He would have a suckling pig, and the printer, Alistair Johnson, would print up the menu, said Dahm. The party was so popular that the store and tent were jammed.

The liquidation sale will be held from 10 a.m. to 6 p.m. almost every weekend through Dec. 15th. Check Here for schedule.

All books will be $5 on Nov. 9, 10, 11, 15, 16, and 17th. Then the price will drop to $3 each book on Nov. 21, 22, 23, and Dec. 5, 6, and 7. The prices drop to $1 on Dec. 12, 13, 14, and 15th.

Visit the Serendipity Books Liquidation sale Facebook page.

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Rare book auction includes the white whale of first editions

 

 

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Source: Melville House

by Julia Fleischaker

Swann Auction Galleries has listed an extremely rare first edition of Moby-Dick.

Now’s your chance to own the white whale of rare literature! A first edition copy of Moby-Dick: or, The Whale, including extremely rare white endpapers is up for auction at Swann Auction Galleries. Part of their 19th and 20th Century Literature Auction, the edition is expected to go for a mere $35,000-$50,000.

Stephen J. Gertz at BookTryst notes that these endpapers add “upwards of $20,000 to the value of a standard, first American edition, first issue copy with orange endpapers.” So what makes these endpapers so special? According to this collectibles website, “In 1853 a fire at Harpers - the book’s publisher - destroyed all but around 60 copies, making the edition extremely rare. This example is one of only two known that feature white endpapers, further enhancing its desirability.”

Herman Melville isn’t the only bold-faced named included in the auction. Paul Fraser Collectibles takes note of some of the other interesting items:

A signed first edition of John Steinbeck’s The Grapes of Wrath is also featured with an estimate of $18,000-25,000. It is inscribed: “For Jules and Joyce and also Joan with love John Steinbeck”.

It features the rare flying pig illustration that Steinbeck reserved for close friends. Jules Buck was a movie producer with whom Steinbeck worked on a screenplay that became Eli Kazan’s Viva Zapata.

The dust jacket is in excellent condition with virtually no rubbing or wear, and features the original price of $2.75.

William Faulkner’s The Sound and the Fury is offered as a first edition, with the original cloth-backed patterned boards and dust jacket. A masterpiece of modernism, the book relates the story of the Compson family – formerly wealthy southern aristocrats who have fallen on hard times.

The edition has been expertly repaired on areas of the spine, panel and folds and features a small split to the lower front hinge. It is expected to bring $15,000-20,000.

Other books include an inscribed first edition and one of only 500 copies of T.S. Eliot’s Prufrock and Other Observations ($6,000-$9,000), and a first edition of Nathaniel Hawthorne’s The Scarlet Letter ($6,000-$9,000).

Setting your budget under a grand? There are plenty of options: first editions of Slaughterhouse Five by Kurt Vonnegut, an inscribed Tropic of Cancer by Henry Miller, and In Cold Blood, signed by Truman Capote, are just some of the titles being estimated at under $1,000.

The auction starts on November 21, and Swann Galleries lets you bid live online, over email, or on the phone, so don’t forget!

From Swann’s description of Lot 197:

“ONLY FOUND ANOTHER ORPHAN” MELVILLE, HERMAN.Moby-Dick; or, The Whale. 12mo, original black cloth, boards slightly bowed, blind-stamped with heavy rule frame and publisher’s circular device at center of each cover, minor chipping to spine ends, short fray along front joint; white endpapers, double flyleaves at front and back, usual scattered light foxing, 6-page publisher’s advertisement at end, penciled ownership signature on front free endpaper; preserved in 1/4 morocco gilt-lettered drop-back cloth box. New York: Harper & Brothers, 1851

Estimate $35,000 - 50,000

unsophisticated copy of the first american edition, first state binding, containing thirty-five passages and the Epilogue omitted from the English edition (published a month earlier). Melville himself famously described his book thus: ‘It is the horrible texture of a fabric that should be woven of ships’ cables and hawsers. A Polar wind blows through it, and birds of prey hover over it.’

Julia Fleischaker is Melville House's director of publicity.

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Allington Antiquarian Books, LLC

I just received the following email from Allington Books. Their updates are generally quite interesting. I thought you might want to take a look at their specials of the month. Enjoy!

"We have updated our Weekly Sale List. Items on the list normally change about once per week and typically are marked down by 20% to 60%.
This week, more than 50 items are discounted 70%. Please feel free to share this Sale List with your friends and fellow collectors.

Unless otherwise specifically stated, all books are first printings of first editions for the country of origin and, of course, are subject to prior sale as well as to being put on hold for a customer's consideration. Orders sent to an address in North Carolina will be charged the applicable sales tax.

The Discounts offered in the Sale List may not be used in combination with any other discounts.

Here is the link to this week's Sale List:

http://www.allingtonbooks.com/shop/allington/category/SALE%20LIST.html

(You also can locate the Sale List at any time under "Browse Categories" on our Home Page at www.allingtonbooks.com).

Payment is due at purchase. Items are returnable for a refund as long as we receive notice of the return within 3 days of Buyer's receipt of the item, and then receive the item in the same condition as delivered to Buyer within 15 days of its delivery to Buyer.

Photographs in addition to those on our site are available on request. (Additional photographs, including author signatures where present, are with the ABE listings for these books -- however, to obtain the Sale List Price, you must order at www.allingtonbooks.com.)

With Thanks and
Best Wishes,

Stephen
Allington Antiquarian Books, LLC

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First-Edition, Signed 'Gatsby' Was Stolen From Him, Man Says

The Great Gatsby by F. Scott Fitzgerald

Source: Courthouse News Service
by: By REBEKAH KEARN

SANTA ANA, Calif. (CN) - A book dealer is asking $750,000 for a signed first edition of "The Great Gatsby," which was stolen from a man's home, and whose character Tom Buchanan was "loosely modeled" on the man's father, the son claims in court.

William M. Hitchcock sued James Robert Cahill Rare Books, and Quintessential Rare LLC dba AbeBooks.com dba James Cahill Publishing/Rare Books, in Federal Court.

Hitchcock, of Houston, claims the book is a family heirloom and that Cahill has no right to sell it.

Hitchcock seeks "to recover a unique and valuable boo, to wit, a first edition of F. Scott Fitzgerald's classic and critically acclaimed novel 'The Great Gatsby' autographed by the author and inscribed to Hitchcock's father, Thomas Hitchcock: 'For Tommy Hitchcock for keeps from his friend F. Scott Fitzgerald Los Angeles 1927."

Hitchcock says his father, who died fighting in World War II, "was the dominant American polo player of his generation. Fitzgerald loosely modeled the character of 'Tom Buchanan' in the novel 'The Great Gatsby' and the character of 'Tommy Barban' in ... 'Tender is the Night' on Thomas Hitchcock. Fitzgerald also autographed and inscribed a copy of 'Tender is the Night' to Thomas Hitchcock."

After Hitchcock's father died, the autographed copy of "Gatsby" passed to Hitchcock's mother, then to him when she died in 1997, the complaint states.

Hitchcock says he displayed the book in his house until 2005 or 2006, when "a person or persons unknown removed the book from Hitchcock's residence without his permission, authorization or knowledge."

He claims he realized the book was missing after he moved to a new house. Hitchcock says he looked for the book and talked to his friends about its disappearance, but never found it and "did not determine for certain that it was gone."

But in April 2012, Hitchcock says, a friend saw the book for sale on Cahill's website for $750,000.

Upon investigation, Hitchcock says, he found that Cahill had bought the book "at a Bonham's auction in Los Angeles in or about 2010 for about $61,000."

Hitchcock claims Cahill never bothered to find out who owned the book before he bought it. He claims Cahill did not receive "any documentation of the provenance or history of possession of the book or proof that it had left the possession of the Hitchcock family lawfully or with the Hitchcock family's consent."

Hitchcock says he filed an online crime report with the Houston Police Department on April 17. Then he had attorney Thomas Kline, with Andrews Kurth, send Cahill a letter demanding return of the book, to no avail.

When Cahill refused to cooperate, Hitchcock says, he "filled out a stolen art data sheet" with the FBI on April 26. He says the FBI investigated for almost a year, but closed its case in February this year without pressing charges.

Hitchcock then hired another lawyer and tried again to retrieve the book. He claims that on Feb. 28, attorney Terry Higham "contacted James Robert Cahill by email and telephone and renewed Hitchcock's demand for return of the book. Following the conversations occurring on March 1, 2013, Mr. Cahill again refused to return the book," the complaint states.

It continues: "During his telephone conversation with Higham, James Robert Cahill claimed that he had already transferred the book to a resident of the United Kingdom who intended to deface the book by cutting out the pages containing Fitzgerald's signature and inscription. Upon Higham's objection to the defacing of the book, Mr. Cahill indicated that he could prevent such defacement of the book, if he chose to do so."

Hitchcock says he is the rightful owner of the book, and he wants it back.
"Because the book, as inscribed to Hitchcock's father, is a unique work of literature of historical and personal significance, the harm to Hitchcock cannot be adequately remedied unless the book is returned to him, with damages for loss of use and enjoyment during the period of Cahill's detention of the book," the complaint states.

Hitchcock says he is afraid that Cahill or his alleged customer "will make good on Mr. Cahill's threat to deface the book by cutting out the pages containing F. Scott Fitzgerald's signature and the author's inscription to Hitchcock's father."

Hitchcock seeks a preliminary injunction preventing Cahill from selling or defacing the book, declaratory judgment that Hitchcock is the book's only rightful owner, wants Cahill ordered to return the book, and damages for replevin and conversion.

He is represented by Terry L. Higham with Barton, Klugman & Oetting of Los Angeles.

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Anthropodermic Bibliopegy or Books Bound in Human Skin

book bound in human skin

This topic has interested me for quite some time. I find the practice strangely intriguing and gruesome at the same time. In fact this practice dates back to the 17 th century and there are a number of these strange in public (and probably private) collections as noted below. Wikipedia has a fairly comprehensive article on the practice of binding books in human skin - also known as Anthropodermic Bibliopegy.

Please tell us if you have any experience or expertise in these books...

From Wikipedia, the free encyclopedia

Anthropodermic bibliopegy is the practice of binding books in human skin. Though extremely uncommon in modern times, the technique dates back to at least the 17th century. The practice is inextricably connected with the practice of tanning human skin, often done in certain circumstances after a corpse has been dissected.

Surviving historical examples of this technique include anatomy texts bound with the skin of dissected cadavers, volumes created as a bequest and bound with the skin of the testator (known as "autoanthropodermic bibliopegy"), and copies of judicial proceedings bound in the skin of the murderer convicted in those proceedings, such as in the case of John Horwood in 1821 and the Red Barn Murder in 1828.

The libraries of many Ivy League universities include one or more samples of anthropodermic bibliopegy.  The rare book collection at the Harvard Law School Library holds a book allegedly bound in human skin, Practicarum quaestionum circa leges regias Hispaniae, a treatise on Spanish law, though testing on the binding has proven inconclusive. A faint inscription on the last page of the book states:

"The bynding of this booke is all that remains of my deare friende Jonas Wright, who was flayed alive by the Wavuma[1] on the Fourth Day of August, 1632. King Btesa did give me the book, it being one of poore Jonas chiefe possessions, together with ample of his skin to bynd it. Requiescat in pace."

The John Hay Library's special books collection at Brown University contains three human-skin books, including a rare copy of De Humani Corporis Fabrica by Vesalius.

Some early copies of Dale Carnegie's Lincoln the Unknown were covered with jackets containing a patch of skin from an African American man, onto which the title had been embossed. A portion of the binding in the copy that is part of the collection of Temple University's Charles L. Blockson Collection was "taken from the skin of a Negro at a Baltimore Hospital and tanned by the Jewell Belting Company".

The National Library of Australia holds a book of 18th century poetry with the inscription "Bound in human skin" on the first page.

Another such book resides at the University of Georgia in the Richard B. Russell Special Collections Library.

Several anatomical volumes, including at least one belonging to and apparently prepared by the renowned anatomist Joseph Leidy (September 9, 1823 – April 30, 1891) are in the Mütter Museum of the College of Physicians of Philadelphia. As of August 2012, these volumes and samples of human-skin leather were on public display.

There is also a tradition of certain volumes of erotica being bound in human skin. Examples reported include a copy of the Marquis de Sade's Justine et Juliette bound in tanned skin from female breasts. Other examples are known, with the feature of the intact human nipple on one or more of the boards of the book. One volume from very early in the 17th century is said to show the face of a priest who was put to death for his alledged part in the attempted assassination of a King.

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Consumer Alert: Beware of buying rare books online

This is from the Lexington Kentucky News

"If you're thinking about buying a rare book online, be very careful. The multi-million dollar industry has skyrocketed as a result of internet auction sites, but rare book collecting is also ripe for fraud.

"The suspect worked this scheme by purchasing unsigned first edition antiquarian books on Ebay. He then forged the signatures of famous authors and resold them on Ebay for much higher prices," said U.S. Postal Inspector Al Herzog.

Book prices ranged from $50 to $1,000 each, depending on the author and book.

"(The scammer) took the actual genuine samples of the authors signatures took them to a local stamp company and had actual stampers made so the stampers could be used to mass produce the fraudulent autographs," said Herzog.

Buyers skeptical of the signature began complaining to postal inspectors, who started checking the defendant's background.

"We made some purchases of our own and eventually we were able to obtain a search warrant and that's how we were able to obtain the heat stampers," said Herzog.

If you are buying rare items or memorabilia online, exercise caution. Postal inspectors recommend always using credit cards, not debit cards, for online purchases. Credit cards offer dispute rights, making it easier to reverse a fraudulent charge. Experts say to always research the seller as well.

"In this instance, the defendant was one person operating out of his home, there was no business, no licenses, there was no reputation if you will in the antiquarian book business," said Herzog.

The defendant was sentenced to more than two years in prison and ordered to pay $120,000 in restitution"

I have experienced this as my longtime readers may remember. I posted about it ages ago. I bought a book on Ebay and some time later received an email from the US Justice Department telling me I had purchased a book with a fake signature on EBay but the would not tell me which book. For a couple of weeks I looked with great concern at my library wondering which one of my books it might be. Eventually a sympathetic customer service rep at EBay looked it up (I was given the email address the fraud used). It turned out to be Vonnegut's Breakfast of Champions first edition. Not great... but, the problem was resolved as to which book it was. I heard from the Justice Department from time to time over the next year as the cheat went to trial and was eventually sentenced to jail for 2 years (I think it was..) - time served plus a huge fine. He eventually got out and was in a half-way house the last time I heard from them.

Did that make me stop buying books on EBay - No - But I am much more careful about the buyer - how many books have they sold, how well is the book described, is there any negative feedback?

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Notorious Books: Saddam Hussein's "Blood Qur'an"

Saddam Hussein and the Blood Qur'an supposedly written in the dictator's blood.

The "Blood Qur'an" is a copy of the Islamic holy book, the Qur'an, written in the blood of the former Iraqi president Saddam Hussein over the course of two years in the late 1990s. Saddam commissioned the book in 1997 on his 60th birthday, reportedly to give thanks to God for helping him through many "conspiracies and dangers". He explained his reasons for commissioning the book in a letter published by the Iraqi state media in September 2000: "My life has been full of dangers in which I should have lost a lot of blood ... but since I have bled only a little, I asked somebody to write God's words with my blood in gratitude." After his fall from power in 2003, the Qur'an was removed from public display. It is currently the focus of debate about what to do with it, as its manner of production is regarded as blasphemous but its destruction could also be seen as blasphemous.

The book was produced by Abbas Shakir Joudi, an Islamic calligrapher who now lives in Virginia in the United States. Over the course of two years, Saddam donated 24–27 litres of his blood, which was used by Joudi to copy the 6,000 verses and some 336,000 words of the Qur'an. According to Joudi, Saddam Hussein summoned him to Ibn Sīnā hospital in Baghdad, where his son Uday was recovering from an assassination attempt, and asked him to write out the Qur'an from his blood as "a sort of vow from Saddam's side". The work was handed over to Saddam in a ceremony in September 2000.[1] It was subsequently put on display in the Umm al-Ma'arik (Mother Of All Battles) mosque in Baghdad, erected by Saddam to commemorate the 1990-91 Gulf War and designed with minarets in the shape of Scud missiles and Kalashnikov rifle barrels.

Other reports have questioned the official Saddam Hussein government version of how much blood was donated in the making of the Qur'an (or if it was even Saddam's blood in the first place). Reporter Philip Smucker reported in Baghdad on July 29, 2001; "Most striking is the dubious and totally unverifiable claim that Saddam donated nearly 50 pints of his own blood for the writing of a Koran." Smucker also wrote: "Western diplomats based in Baghdad are unimpressed with the Iraqi leader's religious devotion, dismissing the mosque and its holy book written in blood as a crude publicity stunt. 'How can we be sure this is Saddam's blood and not that of some of his victims?' one asked."

A subsequent news report also from UK's Telegraph newspaper, saw reporter David Blair in Baghdad state on December 14, 2002 regarding Saddam's infamous Blood Qur'an. "In fact, a skilled artist copied the 605 pages of the holy book using Saddam Hussein's blood. The Iraqi dictator donated three pints over two years and this, mixed with chemicals, was used for every verse." Three pints over two years is a much more realistic number and would equate to just over 1 liter of blood.

In December 2010 several news agencies published news articles regarding how Saddam's infamous Blood Qur'an has become a contentious issue in the delicate politics of today's Iraq. In one article Celso Bianco, the executive vice president for America's Blood Centers, noted the difficultly in believing a claim of Saddam having somehow allegedly donated 27 liters of blood in only a 2 year period lending credence to questioning this very dubious claim by Saddam's Baathist government and its supporters. Bianco notes; "The amount of donation allowed for a blood donor in the United States is five or six pints over the course of a year, or less than a gallon, Bianco said. At that safe rate, it should have taken Hussein nine years to donate all that blood, not two. 'It's an incredible amount, if that [number] is correct,' Bianco said. 'That certainly would have made him anemic.' "

Given vastly different (contradicting) claims of the amount of blood Saddam Hussein allegedly donated towards the making of the infamous Blood Qur'an, and the dubious and unverifiable nature of the high end donation estimates just how much (if any) of Saddam Hussein's blood (allegedly mixed with chemicals and ink) is used in the infamous Blood Qur'an remains an open, debatable, and difficult to answer question.

The Blood Qur'an was displayed in a hexagonal marble building set on an artificial lake within the mosque complex. Only invited visitors could view it, as the building was normally locked and off-limits. According to Australian journalist Paul McGeough, who saw a page from the Blood Qur'an, "the blood lettering is about two centimetres tall and the broad decorative borders are dazzling – blues, light and dark; spots of red and pink; and swirling highlights in black." The Guardian's Martin Chulov describes it as "an exquisitely crafted book that would take its place in any art exhibition – if it wasn't for the fact that it was written in blood."

After the fall of Saddam

Umm al-Ma'arik (now Umm al-Qura) mosque, where the Blood Qur'an was put on display during the Saddam era
Following the fall of Baghdad to US-led forces in April 2003, the custodians of the mosque put the Blood Qur'an into storage for safekeeping. The demise of Saddam left the Iraqi religious and secular authorities with an acute dilemma. On the one hand, it is regarded as haraam (sinful) to write out the Qur'an in blood. Saddam's act was denounced in 2000 by the religious authorities of the United Arab Emirates and Saudi Arabia. Professor Abdul Qahhar al-Any, a professor of Islamic thought at the University of Baghdad, argues that "Saddam is not a holy man, so his blood is dirty." Said Ali Alwaah, a Shia cleric who was imprisoned under Saddam, describes the Blood Qur'an as "Saddam's black magic. The Qur'an is about gold and silver – not something as impure as blood. [The Blood Qur'an] can be burnt or it can be thrown in the river. I would throw it in the river." On the other hand, it is also forbidden to defile or deface copies of the Qur'an. As one Iraqi summarised the dilemma, "It is forbidden to write the Qur'an in blood, but how could we destroy the holy book from God?"

The Iraqi government and political figures have also expressed differing views about what should be done with the Blood Qur'an. The Shia-run government does not want to see the re-emergence of symbols of the Saddam regime and has established a committee to supervise their removal. Some former opponents of Saddam, such as Ahmed Chalabi, have argued for the destruction of all Saddam-era monuments and symbols on the grounds that they are "a clear reminder of the consequences of totalitarianism and idealising a person that embodies evil". Others, such as Mowaffak al-Rubaie, argue that Iraqis "need to remember [the Saddam era], all what is bad and what is good and learn lessons." The Iraqi Prime Minister's spokesman Ali al-Moussawi has proposed that the Blood Qur'an should be kept "as a document for the brutality of Saddam, because he should not have done this. It says a lot about him." However, he said that it should never be displayed in a museum as no Iraqi would want to see it, but it could perhaps be held in a private museum like Hitler or Stalin memorabilia.

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Further Details About Earth Platinum

This is the second of two posts about the incredible new book by Millennium House Publishers from an interview with Gordon Cheers, the Managing Director of Millennium House . Enjoy!

Earth Platinum

http://www.millenniumhouse.com.au/index.html

Details:

On quality
Earth Platinum is printed on traditional presses then bound by hand, covered in leather—we are not cutting corners ... in fact our corners have metal protectors, built to last. The pages are printed on archival acid free paper.

Other problems encountered
There were all kinds of unexpected problems, and a great number of test versions were produced before we achieved the final version. With the paper, we started off using 120 gsm paper, but found that the pages kept ripping as we turned them, because the book size was so large. So we increased the paper to 150 gsm and there were fewer rips, then we increased it to 250gsm ... Eureka! ... No rips. This, however, meant that the cover/boards had to be made out of wood, to support the weight of the paper. Of course we couldn't cover these boards with paper, so we had to use leather, but then the corners would bend, so we had to use metal protectors.

At the beginning of this project all our 2-year-old computers crashed each time we tried to look at a map spread. We brought in a technician to increase the computer memory so that all the editors and cartographic consultants could work on the maps. Even then we used low-resolution versions, only dropping in high-resolution maps and images just before we went to print. We also had to create special font characters with a company in the UK, so that we could Romanize the local names for places in countries using Arabic, Vietnamese, Icelandic, and the like.

Building for a legacy
I have published many books, and written a few. Most books last about 3–6 months in bookshops—not because they are not good, but with over 1 million titles published in 2010 and the average bookstore carrying less than 30,000 books, there just isn't the space to hold all the titles produced each year. As writers, we often write to produce a legacy but the reality is that for most books, there is no legacy; the shelf life is too short. I wanted to leave a legacy, and wondered what it would take to achieve that. I decided a reference book needed to have 3 elements (over the years I have seen many books with these elements, but few had all 3).

These elements are:
1. Needs to be credible, authoritative, well respected. If Earth Platinum uses the best team of writers, cartographers and editors, this should happen. Earth Blue achieved this 2 years ago,
winning the Best World Atlas awards around the world.
2. Any book needs to be well produced (i.e. well bound, finished and built to last). Earth Blue won the award for (the Australian print and production) not only the Best Produced Limited Edition Book of last year, but also the Best Overall Book Of The Year. We have learned a lot since producing Earth Blue and we know that Earth Platinum will be even better.
3. Lastly, a book needs to be well cared for. If a book is rare, it will be cherished—so we are only printing 31 copies and then we will destroy the plates. This means that there will be some countries around the world that will never see a copy of Earth Platinum.

Like many of the rarest treasures in the world, Earth Platinum, too, is made by hand, and like the first book ever printed, the Gutenberg Bible (produced over 500 years ago), Earth Platinum will also be held behind glass in museums, and in the finest of historical and private book collections 500 years from now. There is little that I can achieve in my lifetime that will survive 500 years; there is little that any of us can achieve that will last 500 years.

Earth Platinum needs to be cherished, to ensure that those in the year 2500 can see how our world appeared in 2011. 500 years from now, when the buildings around us have disappeared, Earth Platinum will still be here as our legacy.

Why buy a book?
Some people think that you don’t have to open a book, you don’t have to visit an art gallery or museum, because you can “see it all on the net”. My family reads books, visits art galleries and museums, AND uses the net. Atlases, like many books, help us dream, we find one town, then spot another and another, and before we know it we have spent hours exploring the world. Three years ago I looked at an atlas with my kids—we then ended up spending $20,000 traveling to Rome, Venice, Japan and Bali on holidays—now that was an expensive atlas! Atlases are also time capsules, and Earth Platinum is one big time capsule.

Why buy an atlas when the internet is available? In the long run new technology doesn’t always replace old technology. TV didn’t replace radio, DVD didn’t replace Cinema. In the 1980s digital watches were popular, and many said digital watches would be the death of the traditional watchmaker. Most of my friends had a digital watch (some even had calculators on them)—now who is wearing a digital watch today? The watch on my wrist cost more than 10 times the cost of a digital watch, my watch is elegant, stylish and accurate. When I look at it I also gain a perspective of time, not just a single data byte. My kids will one day inherit my watch. In the 80s the watch industry did get a shake-up, many manufacturers went out of business. There are fewer watch repairers around today. The ones that are around know their craft, most of them are over 50, many are passionate about their work. Fewer and fewer individuals are learning cartography; will this industry go the same way as the watchmaker?

As publishers, we too are passionate about the books we produce, and at Millennium House, we are passionate about mapping. We believe an atlas can give you a perspective of the whole world as it is today. We also like making our books BIG! Like a good watch or family Bible, Earth Platinum will be passed from generation to generation.

Without atlases, will the internet be the world’s only source of world mapping in 5, 10, 20 years from now? Will we be handing down thumb drives to our kids saying here are this year’s family photos? Are we printing out the emails we send to family, and others, as a record of our thoughts, will we hand down web pages to future generations, saying “this is what it web pages looked like in 2012”?

Don't get me wrong; the Internet is a great resource, as are books.

What is cartography—art, science or politics?
Cartography is an art. We had teams of people just dedicated to creating the color background—differentiating the colors by the height above sea level. We spent hours at meetings discussing the choice of colors—even the oceans have 7 shades of blue. Once the coloring was decided we added the place names, only to find in some places the names were not legible as the brown background first chosen for the mountains was too dark and the type was too fine. Back to the drawing board, to get the balance right.

Cartography is a science. The symbols, layers, and the line work come together in a program called Adobe Illustrator. Once the population of a town (from over 5 million down to less than 10,000) is known, the label and marker size are then assigned based on our predetermined size scale, the town name is given a reference point (longitude and latitude), and the towns are automatically added to the maps using programs such as Maplex and MAPublisher. Cartographers then have to check by sight to make sure the names don’t run into or on top of other names. This is tricky with long names such as Taumatawhakatangihangakoauauotamateapokaiwhenuakitanatahu (a mountain in New Zealand)! Fortunately in this instance the label lies near the coast, so the lettering can flow into the sea. Then there are the easy town placements such as the Norwegian town of Å that lies on the island of Moskenesøya in the county of Nordland. The roads with 10 categories (such as major, minor, secondary or track), railways, rivers, national boundaries and international boundaries (7 categories in all), lakes (salt or otherwise), mountain peaks, volcanoes, World Heritage sites, etc, all have a separate coding, determining style, print color, size, thickness etc. Even the Great Wall of China has its own coding/styling.

Cartography is political, as over 40 editors (from all around the world) had the task of researching how to treat sensitive political issues such as Taiwan, Tibet, Jammu and Kashmir, and many more. Fortunately for Earth Platinum, and its readers, Earth Platinum is published in Australia. As it now exists, we would not be allowed to print Earth Platinum in China. If we printed in China, where some atlases are printed, the South China Sea, India/Pakistan, and Israel would all look very different.

Earth Platinum reflects a modern-day view of the world as it is now—taking in the partition of Sudan, the relatively new country of Kosovo, applying a current standardization to the towns in China, recognizing the South African, Canadian, Australian and New Zealand trend to revert to traditional names for some of their major towns and features. As it now exists, Earth Platinum cannot be sold in Korea or India. We could have made changes to make Korean and Indian sales possible, but chose not to. We defer to the UN for clarification and boundaries, spelling, etc—I thought if it’s good enough for the UN, it was good enough for us! Of course some of the updates simply reflect our world as it is today and who is in power, such as in Antigua and Barbuda’s highest point, which has been renamed, to honor the President of the United States, Barack Obama. Boggy Peak, on the island of Antigua in the Caribbean, is now officially known as Mount Obama.

Is it a political statement, a publication reflecting modern history and cartography, or a work of art? Only 500 years from now, with the test of time, will someone else decide.

My history
In the beginning, my first book, Carnivorous Plants, was self-published in 1983, produced when owned my wholesale plant nursery in southeast Australia, where I propagated carnivorous Plants. I then wrote a book called A Guide to Carnivorous Plants of the World (Hardcover, 1993) published by Harper Collins, then Killer Plants and How to Grow Them for Penguin as a Picture Puffin. The Picture Puffin book then went on to win Children's Book of the Year in Australia in 1997.

Since then I have worked for Penguin books and at Random House where I was the publishing director of Children's and adult illustrated books. In 2005 with Margaret Olds I established Millennium House.

In my over 27 years of book publishing I have found the hardest books to publish are Atlases, for political, artistic and accuracy to detail reasons.

Personal
I am forever thinking of a subject or writer that could make a good book, whether I'm going for a walk, reading a newspaper or looking at TV. There are so many subjects that still need to be covered and presented in a simple informative way. For example we published Scientifica, which explained quantum physics and many other complicated scientific theories and formulae in an easy-to-understand format for the general reader. It’s very exciting to help make a complicated subject accessible.

When I’m not looking through atlases, to relax I listen to classical music and work in my garden, where I have been working on planting a tropical sanctuary, using ferns, palms and many tropical plants to create ‘rooms’ in my garden. I have been able to acquire plants that are up to 30 years old.

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Earth Platinum - Largest Limited Edition Atlas Scheduled to Release in May

Earth Platinum - World's largest Atlas

I recently had the opportunity to speak with Gordon Cheers of Millennium House and managed to put together a comprehensive background and details about his upsoming release of Easrth Platinum a book of HUGE proportions. Here are twelve brief facts about Earth Platinum:

1. Earth Platinum is 6ft by 4.5 ft
2. Earth Platinum weighs 330 pounds
3. Earth Platinum retails for $100,000USA
4. Earth Platinum has 128 pages
5. Earth Platinum has detailed maps and full-color photo spreads
6. 24 Earth Platinum images are made from stitching together as many as 1,000 individual photos, the largest has 12,000 photos joined together
7. Earth Platinum took over four years to finish
8. 100 cartographers, geographers, and editors working on Earth Platinum
9. Only 31 copies of Earth Platinum will ever be published
10. Each of them is numbered
11. About half of them are still available for purchase
12. Earth Platinum delivers mid May

The following has been provided to me by Mr. Cheers and I will publish it in two blog posts (each of considerable length). The first is background on the new Limited Edition book and the second blog post will cover details about Earth Platinum. Gordon Cheers is a pleasant, knowledgeable professional therefore, I will post his interesting tale as he told it:

"I have been asked the following questions by the public and at a book fair; below are my answers.

A brief description of Earth Platinum
Earth Platinum is the world’s largest atlas, and contains maps, text and photos. The maps are the largest scale of any world atlas on a single page, many of the images are so large they take up a wall of 6 feet x 9 feet.

When will Earth Platinum published?
Earth Platinum is expected to be published mid May 2012.

How much did the entire project cost?
Millennium House has spent over US$1 million in producing the mapping required for Earth Platinum.

How many pages? What is the weigh? How many photographs and maps?
There are 128 pages in Earth Platinum, and the weight of the book is 150 kilograms, with over 30 large photographs, 61 pages of maps.

How long did it take? How many people were involved in the work?
I had the idea over 25 years ago. We have been working on the mapping involved in Earth Platinum for over 4 years. If you added up all the hours of work, it would take one person over 60 years to complete. Fortunately for us we have had over 70 people working on the book.

Who was your biggest support during the days before the dream turned into reality?
Our publisher Janet Parker has been living this project for over 3 years, without her help it would not have been possible.

In this information age, when so much is available on the Internet, why is there a market for an atlas, and at such a cost.
The amount of data we have is so large that we needed to produce a book of this size to do the material justice. Some islands are now seen for the first time at a reasonable size in relation to their nearest continent. It’s not always easy to get a sense of scale of our planet, this is the closest a book can go to achieve this. This is the closest any of us who are not astronauts can get to obtain a feeling of how the whole world would look from space. Earth Platinum will prove that a printed book, an Atlas can still be an important work if it provides a unique experience.

It is also important that we have a record of our time (2012), and if this record can inspire individuals to travel and marvel of at our world then we have achieved what we wanted. For Museums and Libraries we believe Earth Platinum would provide the “anchor of an exhibition” of the worlds best mapping. Along side this atlas, visitors could also see the historical mapping that Museums and Libraries have been acquiring for years that relate to their particular country.

Apart from the maps, we also believe that Earth Platinum is a work of art, the way the images of our world are seen for the first time at this large detailed size. The images we’re using are so detailed, each image is made up of up to 1,000 photos. The image of the Shanghai skyline is made up of 12,000 photos and is the largest photo in the world.

People, who have stood near the double page image of Machu Picchu and have traveled there, have said to me, it’s like being back there again — “you can almost feel and touch the mountain”. Not bad for an image 6 feet x 9 feet long. Earth Platinum will have many images like Machu Picchu.This magnificent book combines maps, images and information in a stunning presentation.

What was the inspiration to publish the world’s largest atlas?
Over 25 years ago, when working for a publisher, I published a large guide to Australia full of maps. I mentioned to my boss that it would be great to produce the same sort of book on the whole world. My boss at the time said it would be too expensive—as did the next 3 bosses I had in publishing. So 6 years ago I set up my own company to produce Earth Blue and Earth Gold and from there went on to produce Earth Platinum.

How much is Earth Platinum?
US$100,000 per copy. It is not just pitched to the wealthy.
Earth Platinum is being considered by private, corporate and institutional purchasers.

What has been the response by those who have seen the book?
The many people, who came to see the prototype on display at Frankfurt Book fair, were so amazed and impressed by Earth Platinum. They wanted to look at every page, and search for their hometown before having photographs taken with the book to show to family and friends. Their enthusiasm for the project made me realize just how popular maps remain, regardless of any advances in electronic availability.

Why produce the biggest book on earth (is it the biggest book?)
We believe Earth Platinum will be the biggest book published (i.e. it has a cover, pages, an index, there is more than one printed, and is readily available for sale). Anyway, it is certainly the largest atlas ever printed or published.

Why will it be the last big atlas ever printed?
Many people are using GPS devices instead of road atlases and maps to move around, many travelers download the map of the area they want, before they travel. All this means that less maps and atlases are being printed, fewer cartographers are being trained, most mainstream publishers have sold off their cartography departments. Two years ago we published our “smaller” atlas, Earth Blue (24 inches x 18 inches), it won all the cartographic awards—no publisher has since been able to match its size or detail. The last big atlas close to Earth Platinum was produced over 350 years ago in black and white—it’s now priceless. The world was viewed a lot differently then. It may take another 350 years before anyone challenges our atlas. However, my feeling is it will never happen. Earth Platinum will become a priceless piece of art work/historical document representing our world today.

Why 31 copies?
We have looked at the market, and our costs—we want Earth Platinum to be cherished and preserved, and we feel producing 31 copies should ensure this.

Any sold yet?
We have sold a number of copies already and have interest in many, but only one in 6 countries will ever have a copy of Earth Platinum.

Will there be a small version?
We have already produced smaller atlases in the Earth series such as Earth Blue selling for $5,800. If we produced a smaller version of Earth Platinum, we would need to reduce the detail substantially and then increase the font size, otherwise it would not be readable. It would not be the same book. Detailed mapping is not like a photo; maps cannot go down smaller and smaller because they become unreadable. Earth Platinum is large because it needs to be.

Can students benefit from the atlas?
Earth Platinum will be an astonishing publication that we hope will inspire travelers and students. By using detailed hill shading and colored relief, the world and its terrain makes more sense. Consider crossing the Himalayas—which looks daunting when you see the height of the mountains and the extent of ranges. These ranges are less obvious on previous maps and atlases. Also less obvious as was the way many national borders follow rivers or mountain ranges.

How difficult was it to get experts working on it to compile the project?
Once we started to engage geography professors and prominent cartographers in one country, they seemed to know others around the world and in a very short time we had every corner of the globe covered, even the oceans. Not such a daunting task with a team of over 60 professionals.

Do you think that the cost of production will be covered by sales?
Our aim in producing Earth Platinum is to create a benchmark in cartography and a legacy for future generations. It was never meant to make lots of money—my old bosses were right; it is a very expensive exercise and it will not make money—but it will be a legacy. Producing just 31 copies will, ensure Earth Platinum is cherished for decades to come.

Be sure to look for the second post on this remarkable book... Coming soon -

Millennium House can be reached Here - http://www.millenniumhouse.com.au/index.html

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